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Friday, October 31, 2025

Life As It Is

 I'm nobody. I watch web series all night long. Finding no one close to me, I make myself a friend. I deny my heart's feelings, or perhaps there's no one to whom I can express them. I don't know if heartfelt feelings even exist. I thought these were all filmy philosophies. There's no one in life who can make me cry or laugh. Who understands me without me saying anything. Who cares for me. But anyway, all these things are just bookish things. No one cares if I cry. No one cares if I'm happy. No one cares if I come. No one will care if I leave. But it's okay. Life is beautiful just the way it is. In its entanglements, in its complexities. What difference does it make? Is it necessary to live by someone's constructed concepts? Shouldn't life be seen as it is, in its joys, in its sorrows, in its hopes, and in its disappointments? Life is interesting right now. All you need is perspective. To see life. As it is. 

But I am not alone. Many people are going this way. 

World Cities Day : 31 October

World Cities Day is an annual United Nations observance celebrated on 31 October to highlight the importance of sustainable urban development and global urbanization challenges. The day, first marked in 2014, aims to promote cooperation among countries and stakeholders in making cities “inclusive, safe, resilient and sustainable,” aligning with Sustainable Development Goal 11.


Purpose and Origins

World Cities Day was established by UN General Assembly resolution 68/239 in December 2013 and is managed by UN-Habitat in collaboration with partner agencies such as UNESCO, UN-Water, and UNDP. Its roots trace back to Expo 2010 Shanghai, and it represents the conclusion of “Urban October,” a month dedicated to urban issues and sustainable development. The general ongoing theme is “Better City, Better Life,” with a new sub-theme selected each year to address particular urban challenges.


2025 Theme and Activities

For 2025, World Cities Day’s theme is “people-centred smart cities,” focusing on how digital innovation, AI, and data-driven decisions can improve lives and address shocks and crises in urban environments. The emphasis is on participatory governance, integrated urban systems, and evidence-driven planning to make cities more sustainable and inclusive.

- The 2025 global observance is being held in Bogota, Colombia, including high-level ceremonies, expert panels, and roundtables on digital innovation, adequate housing, and urban infrastructure.

- The WHO and other global partners are launching resources and convening forums to highlight the critical role of urban health and people-centred approaches in smart city transitions.


Significance

World Cities Day energizes awareness, advocacy, and action toward more effective and inclusive urban planning, with events organized by UN agencies, local governments, NGOs, and urban planners across the globe.

- It supports partnerships for urban sustainability, resilience, and health, and encourages the sharing of best practices and innovations.

- Cities worldwide engage through forums, roundtables, technical guidance launches, and participatory campaigns.

In summary, World Cities Day is a key annual event advancing global dialogue and cooperation for sustainable, people-focused urban growth.


What is the 2025 World Cities Day theme and host city


The 2025 World Cities Day theme is “People-Centred Smart Cities,” emphasizing the use of technology, data-driven decision-making, and artificial intelligence to improve urban life and make cities more inclusive, resilient, and focused on human well-being. The official host city for the global observance in 2025 is Bogot├б, Colombia.


Wednesday, October 29, 2025

Uncle Sam and his advices for youngsters

 

Uncle Sam is a symbolic figure who represents the United States government, often depicted in popular culture and history as a wise, paternal character offering guidance, especially to the younger generation. While Uncle Sam's most famous appearance is as a recruiting figure ("I Want YOU") used to inspire youth to serve their country, his persona as an advisor often emphasizes principles of responsibility, self-reliance, and civic duty.

Uncle Sam's Meaning and Symbolism

- Uncle Sam stands as a metaphor for the U.S. government and is associated with themes like patriotism, service, and the moral development of young Americans.

- Historically, his image has been used to encourage youngsters to take pride in their country, contribute to their communities, and grow into responsible adults.

- His origins trace back to Samuel Wilson, a supplier during the War of 1812, reinforcing the ideas of hard work and public service.


Advice Uncle Sam Might Give to Youngsters

- Become financially literate, avoid unnecessary debt, and start saving early for future independence.

- Seek education, ask questions, and develop the habit of lifelong learning to build both character and capacity.

- Embrace civic responsibility, such as voting and staying informed about national issues, contributing positively to society.

- Value hard work, integrity, and honesty as foundational virtues for personal and professional life.


Educational and Moral Messages Associated with Uncle Sam

- Encourages young people to dream big, prepare for the future, and make disciplined decisions.

- Stresses that adults (including figures like Uncle Sam) can guide and support youngsters, but true wisdom comes from personal initiative and self-discovery.

- Inspires youth to serve—not just in the military, but in helping their communities and being good citizens.

Uncle Sam remains a powerful symbol who, through cultural stories and visual propaganda, continues to promote the values of education, responsibility, and service among American youth.


Book of Uncle Sam and it's summery


There are several books with the title "Uncle Sam" or closely related to the concept, but the most historically significant is "The Adventures of Uncle Sam, in Search After His Lost Honor" (1816) by Frederick Augustus Fidfaddy. Below is a concise summary and context of this book, along with key modern interpretations:


Book Overview

- "The Adventures of Uncle Sam, in Search After His Lost Honor" is an allegorical satire published in 1816.

- The book uses Uncle Sam—a personification of America—as its protagonist, reflecting on the events and policies leading up to the War of 1812.

- It critiques political mismanagement and corruption in a satirical narrative style, similar to earlier British satires.

Summary

The story presents Uncle Sam embarking on a metaphorical journey to recover his "lost honor," symbolizing America's search for moral and political integrity after the turmoil of war. Throughout the story, Uncle Sam encounters figures representing various social and political interests, lampooning governmental errors, opportunism, and the loss of original American values. The book encourages readers to reflect on civic responsibility, patriotism, and the dangers of straying from national principles.


Other notable "Uncle Sam" books

- "Uncle Sam" (graphic novel, 1997) by Steve Darnall and Alex Ross: This graphic novel reimagines Uncle Sam as a lost, wandering figure, haunted by America's past and troubled by its present, ultimately representing the soul and conscience of the United States.

- "Uncle Sam" by Hal Marcovitz (non-fiction): Focuses on the origins and evolution of the Uncle Sam symbol and its significance in American culture and government.

These books use "Uncle Sam" either as a literal character or an allegorical device to explore themes of American identity, national values, and societal change.



Saturday, October 25, 2025

Emma Watson her life and career

 

Emma Watson is a British actress and activist renowned for playing Hermione Granger in the Harry Potter films and for her impactful work supporting women's rights.


Early Life

Emma Charlotte Duerre Watson was born on April 15, 1990, in Paris, France, to British parents who later divorced. She moved to Oxfordshire, England, where she attended the Dragon School and trained in acting at the Oxford branch of Stagecoach Theatre Arts. Watson reportedly expressed her desire to act from age six and performed in several school plays as a child.

Major Career Milestones

Watson came to global fame when cast as Hermione Granger in the Harry Potter series, starting with Harry Potter and the Sorcerer’s Stone (2001). She played Hermione in all eight films across a decade, earning critical and popular acclaim that established her as a major star. Beyond Harry Potter, Watson pursued a diverse range of roles:

- Ballet Shoes (2007) and voiced The Tale of Despereaux (2008).

- My Week with Marilyn (2011), The Perks of Being a Wallflower (2012), The Bling Ring (2013), and Noah (2014).

- Belle in Beauty and the Beast (2017) and Meg March in Little Women (2019).

Education and Activism

Watson studied at Brown University, completing her degree in English literature while continuing her film career. She is acclaimed for her advocacy on women’s rights, serving as a UN Women Goodwill Ambassador and launching the "HeForShe" campaign. Her activism and public influence have put her among Time magazine’s 100 most influential people and Forbes' highest-paid actresses.

Awards and Recognition

Watson has received many awards including a Young Artist Award, three MTV Movie Awards, British Artist of the Year (BAFTA), and inclusion in lists of influential and successful women such as Forbes' 30 Under 30.

Personal Philosophy and Impact

Besides her acting, Watson is known for her commitment to equality, education, and environmental issues, contributing her platform to global social causes and inspiring audiences for more than two decades.

Emma Watson is recognized not only for her memorable film roles but also as a passionate advocate for social change and education.


Key activism and charity work Emma Watson has done


Emma Watson has established herself as a significant activist and philanthropist, especially in the fields of gender equality, women’s rights, education, and sustainability.

Gender Equality & Women's Rights

- Appointed a UN Women Goodwill Ambassador in 2014, Watson launched the global HeForShe campaign to engage men and boys in advocating for gender equality.

- Delivered widely recognized speeches at the United Nations, galvanizing international attention and support for gender equality.

- Actively visited countries such as Bangladesh, Zambia, and Uruguay to promote girls’ education and the need for women's political participation.

- Helped to launch the Time's Up UK movement in 2018, addressing workplace harassment and gender discrimination, and personally donated £1 million to its Justice and Equality Fund.

Legal and Social Advocacy

- In 2019, Watson helped launch a free legal advice helpline for sexual harassment victims in the UK in collaboration with Rights of Women.

- Served on a G7 advisory body in 2019 to help shape international women's rights policy.

Community Empowerment

- As a One Young World Councilor, she supported youth leadership in gender equality and funded Emma Watson Scholarships for young activists attending global summits.

- Founded the feminist book club “Our Shared Shelf” in 2016, raising awareness about gender issues through literature.

Education and Sustainable Development

- Advocated for girls’ education and collaborated with organizations like Camfed and She’s the First to provide educational opportunities for girls worldwide.

- Promotes sustainable fashion by advocating ethical, eco-friendly practices in the industry and supporting sustainable fashion initiatives at high-profile events.


Emma Watson’s activism is broad, extending from global campaigns and legal reforms to literature, fashion, and hands-on work supporting girls' education. Her efforts have made her a respected leader and inspiration in the advocacy space worldwide.


Friday, October 24, 2025

рдоाрд░िрдпा рдХोрд░िрдиा рдордЪाрдбो рдкेрд░िрд╕्рдХा

рдоाрд░िрдпा рдХोрд░िрдиा рдордЪाрдбो рдкेрд░िрд╕्рдХा (рдЬрди्рдо 7 рдЕрдХ्рдЯूрдмрд░ 1967) рд╡ेрдиेрдЬुрдПрд▓ा рдХी рдПрдХ рд░ाрдЬрдиीрддिрдЬ्рдЮ рдФрд░ рдФрдж्рдпोрдЧिрдХ рдЗंрдЬीрдиिрдпрд░ рд╣ैं рдЬो рд╡рд░्рддрдоाрди рдоें рд╡ेрдиेрдЬुрдПрд▓ा рдоें рд╡िрдкрдХ्рд╖ी рдиेрддा рдеीं। рдЙрди्рд╣ोंрдиे 2011 рд╕े 2014 рддрдХ рд╡ेрдиेрдЬुрдПрд▓ा рдХी рдиेрд╢рдирд▓ рдЕрд╕ेंрдмрд▓ी рдХी рдиिрд░्рд╡ाрдЪिрдд рд╕рджрд╕्рдп рдХे рд░ूрдк рдоें рдХाрд░्рдп рдХिрдпा। рд╡рд╣ 2025 рдиोрдмेрд▓ рд╢ांрддि рдкुрд░рд╕्рдХाрд░ рд╡िрдЬेрддा рд╣ैं।

рдмрдв़рддे рдЕंрдзрдХाрд░ рдХे рдмीрдЪ рд▓ोрдХрддंрдд्рд░ рдХी рд▓ौ рдЬрд▓ाрдП рд░рдЦрддी рд╣ैं

рдоाрд░िрдпा рдХोрд░िрдиा рдордЪाрдбो рдиे рд╡ेрдиेрдЬुрдПрд▓ा рдоें рд▓рдЧाрддाрд░ рдмрдв़рддे рдЕрдзिрдиाрдпрдХрд╡ाрдж рдХे рд╡िрд░ुрдж्рдз рд▓ोрдХрддंрдд्рд░ рдХे рд╕ंрдШрд░्рд╖ рдХा рдиेрддृрдд्рд╡ рдХिрдпा рд╣ै। рд╕ुрд╢्рд░ी рдордЪाрдбो рдиे рдЗंрдЬीрдиिрдпрд░िंрдЧ рдФрд░ рд╡िрдд्рдд рдХी рдкрдв़ाрдИ рдХी рд╣ै рдФрд░ рдЙрдирдХा рд╡्рдпрд╡рд╕ाрдп рдоें рдПрдХ рдЫोрдЯा рд╕ा рдХрд░िрдпрд░ рд░рд╣ा рд╣ै। 1992 рдоें рдЙрди्рд╣ोंрдиे рдПрдЯेрдиिрдпा рдлाрдЙंрдбेрд╢рди рдХी рд╕्рдеाрдкрдиा рдХी, рдЬो рдХрд░ाрдХाрд╕ рдоें рдмेрдШрд░ рдмрдЪ्рдЪों рдХे рдХрд▓्рдпाрдг рдХे рд▓िрдП рдХाрдо рдХрд░рддा рд╣ै।

рджрд╕ рд╕ाрд▓ рдмाрдж, рд╡рд╣ рд╕ुрдоाрддे рдХी рд╕ंрд╕्рдеाрдкрдХों рдоें рд╕े рдПрдХ рдеीं, рдЬो рд╕्рд╡рддंрдд्рд░ рдФрд░ рдиिрд╖्рдкрдХ्рд╖ рдЪुрдиाрд╡ों рдХो рдмрдв़ाрд╡ा рджेрддा рд╣ै рдФрд░ рдк्рд░рд╢िрдХ्рд╖рдг рдПрд╡ं рдЪुрдиाрд╡ рдиिрдЧрд░ाрдиी рдХा рд╕ंрдЪाрд▓рди рдХрд░рддा рд╣ै। 2010 рдоें, рд╡рд╣ рд░िрдХॉрд░्рдб рд╕ंрдЦ्рдпा рдоें рд╡ोрдЯ рдЬीрддрдХрд░ рдиेрд╢рдирд▓ рдЕрд╕ेंрдмрд▓ी рдХे рд▓िрдП рдЪुрдиी рдЧрдИं। рд╢ाрд╕рди рдиे 2014 рдоें рдЙрди्рд╣ें рдкрдж рд╕े рд╣рдЯा рджिрдпा। рд╕ुрд╢्рд░ी рдордЪाрдбो рд╡ेंрдЯे рд╡ेрдиेрдЬुрдПрд▓ा рд╡िрдкрдХ्рд╖ी рджрд▓ рдХा рдиेрддृрдд्рд╡ рдХрд░рддी рд╣ैं рдФрд░ 2017 рдоें рдЙрди्рд╣ोंрдиे рд╕ोрдп рд╡ेрдиेрдЬुрдПрд▓ा рдЧрдардмंрдзрди рдХी рд╕्рдеाрдкрдиा рдоें рдорджрдж рдХी, рдЬो рджेрд╢ рдоें рд▓ोрдХрддंрдд्рд░ рд╕рдорд░्рдердХ рддाрдХрддों рдХो рд░ाрдЬрдиीрддिрдХ рд╡िрднाрдЬрди рд░ेрдЦाрдУं рдХे рдкाрд░ рдПрдХрдЬुрдЯ рдХрд░рддा рд╣ै।

2023 рдоें, рдЙрди्рд╣ोंрдиे 2024 рдХे рд░ाрд╖्рдЯ्рд░рдкрддि рдЪुрдиाрд╡ рдоें рд░ाрд╖्рдЯ्рд░рдкрддि рдкрдж рдХे рд▓िрдП рдЕрдкрдиी рдЙрдо्рдоीрджрд╡ाрд░ी рдХी рдШोрд╖рдгा рдХी। рдЬрдм рдЙрди्рд╣ें рдЪुрдиाрд╡ рд▓рдб़рдиे рд╕े рд░ोрдХ рджिрдпा рдЧрдпा, рддो рдЙрди्рд╣ोंрдиे рд╡िрдкрдХ्рд╖ рдХे рд╡ैрдХрд▓्рдкिрдХ рдЙрдо्рдоीрджрд╡ाрд░ рдПрдбрдоंрдбो рдЧोंрдЬाрд▓ेрдЬ рдЙрд░ुрддिрдпा рдХा рд╕рдорд░्рдерди рдХिрдпा। рд╡िрдкрдХ्рд╖ рдиे рд╡्рдпाрдкрдХ рд░ूрдк рд╕े рд▓ाрдордмंрджी рдХी рдФрд░ рд╡्рдпрд╡рд╕्рдеिрдд рджрд╕्рддाрд╡ेрдЬ़ рдПрдХрдд्рд░ рдХिрдП рдХि рд╡े рд╣ी рдЪुрдиाрд╡ рдХे рдЕрд╕рд▓ी рд╡िрдЬेрддा рд╣ैं। рд╢ाрд╕рди рдиे рдЬीрдд рдХी рдШोрд╖рдгा рдХी рдФрд░ рд╕рдд्рддा рдкрд░ рдЕрдкрдиी рдкрдХрдб़ рдордЬ़рдмूрдд рдХрд░ рд▓ी।

рд╡ेрдиेрдЬ़ुрдПрд▓ा рдоें рд▓ोрдХрддंрдд्рд░ рдХो рдЖрдЧे рдмрдв़ाрдиे рдХे рдЕрдкрдиे рдк्рд░рдпाрд╕ों рдХे рд▓िрдП рд╕ुрд╢्рд░ी рдордЪाрдбो рдХो рд╕рдмрд╕े рдкрд╣рд▓े рдиोрдмेрд▓ рд╢ांрддि рдкुрд░рд╕्рдХाрд░ рдоिрд▓ рд░рд╣ा рд╣ै। рд▓ेрдХिрди рдЕंрддрд░рд░ाрд╖्рдЯ्рд░ीрдп рд╕्рддрд░ рдкрд░ рднी рд▓ोрдХрддंрдд्рд░ рдкीрдЫे рд╣рдЯ рд░рд╣ा рд╣ै। рд▓ोрдХрддंрдд्рд░ – рдЬिрд╕े рд╕्рд╡рддंрдд्рд░ рд░ूрдк рд╕े рдЕрдкрдиी рд░ाрдп рд╡्рдпрдХ्рдд рдХрд░рдиे, рд╡ोрдЯ рджेрдиे рдФрд░ рдиिрд░्рд╡ाрдЪिрдд рд╕рд░рдХाрд░ рдоें рдк्рд░рддिрдиिрдзिрдд्рд╡ рдХрд░рдиे рдХे рдЕрдзिрдХाрд░ рдХे рд░ूрдк рдоें рд╕рдордЭा рдЬाрддा рд╣ै – рджेрд╢ों рдХे рднीрддрд░ рдФрд░ рджेрд╢ों рдХे рдмीрдЪ рд╢ांрддि рдХी рдиींрд╡ рд╣ै।

The Commonwealth


The Commonwealth is a free association of 56 sovereign countries, most of which are former territories of the British Empire. They have chosen to maintain ties of friendship and cooperation, with the British monarch as the symbolic head of the association. Some prominent members include Canada, Australia, India, Nigeria, and the United Kingdom, but the group also includes countries that were not former British colonies, such as Gabon and Togo.  

Membership details

The Commonwealth of Nations is a voluntary association of 56 independent and equal member states. 

Origin: The Commonwealth evolved from the British Empire, with many members being former dependencies that chose to remain connected. 

Symbolic Head: King Charles III is the symbolic head of the association, but he is the head of state in only 14 member countries, known as Commonwealth realms. 

Diverse Membership: The group is diverse, including republics, constitutional monarchies, and some countries with their own monarchs. 

Non-former colonies: Newer members like Gabon and Togo show that the Commonwealth is an attractive forum for cooperation and dialogue beyond its historical roots. 

Population: The Commonwealth is home to almost one-third of the world's population, with India being the largest country by population, accounting for about half of the total. 

Meetings: Member countries meet every two years at the Commonwealth Heads of Government Meeting. 


The Commonwealth of Nations


The Commonwealth of Nations, commonly known as the Commonwealth, is an intergovernmental organization of 56 member countries, mostly former territories of the British Empire. It promotes international cooperation on economic, social, and human rights issues.


Here is a list of the 56 Commonwealth member countries as of 2025:


- Antigua and Barbuda  

- Australia  

- The Bahamas  

- Bangladesh  

- Barbados  

- Belize  

- Botswana  

- Brunei Darussalam  

- Cameroon  

- Canada  

- Cyprus  

- Dominica  

- Eswatini  

- Fiji  

- The Gambia  

- Ghana  

- Grenada  

- Guyana  

- India  

- Jamaica  

- Kenya  

- Kiribati  

- Lesotho  

- Malawi  

- Malaysia  

- Maldives  

- Malta  

- Mauritius  

- Mozambique  

- Namibia  

- Nauru  

- New Zealand  

- Nigeria  

- Pakistan  

- Papua New Guinea  

- Rwanda  

- Saint Kitts and Nevis  

- Saint Lucia  

- Saint Vincent and the Grenadines  

- Samoa  

- Seychelles  

- Sierra Leone  

- Singapore  

- Solomon Islands  

- South Africa  

- Sri Lanka  

- Tanzania (United Republic)  

- Tonga  

- Trinidad and Tobago  

- Tuvalu  

- Uganda  

- United Kingdom  

- Vanuatu  

- Zambia  

- Zimbabwe  

- Gabon*  

- Togo*  


(* Gabon and Togo joined recently despite no British colonial history).


The Commonwealth is headquartered in London, United Kingdom, and its members cooperate on economic and social development, democratic governance, and human rights promotion. Membership is voluntary and open to countries that meet the criteria and accept the Commonwealth’s values and goals.


Nikola Tesla his Life and Works

 

Nikola Tesla (1856–1943) was a Serbian-American inventor, electrical and mechanical engineer, renowned for his groundbreaking contributions to the modern alternating current (AC) electricity supply system. Born in the Austrian Empire (now Croatia), Tesla showed remarkable imagination and creativity from an early age and pursued engineering studies across Europe. He immigrated to the United States in 1884, initially working briefly for Thomas Edison before setting out independently.


Tesla is best known for inventing the AC induction motor and polyphase AC system, which revolutionized electrical power transmission and remain foundational to today's electric power grids. His patents in AC machinery, sold to George Westinghouse, earned him recognition and financial success. Among his other notable inventions is the Tesla coil, invented in 1891, an induction coil still widely used in radio technology and electronics.


Tesla conducted many experiments on high-voltage, high-frequency electricity, wireless power transmission, and electromagnetic radiation, including early X-ray work and wireless-controlled devices. His ambitious Wardenclyffe Tower project aimed to provide worldwide wireless communication and electricity but was never completed due to lack of funding.


Throughout his life, Tesla held around 300 patents across various fields and achieved major advancements that influenced radio, electric lighting, industrial machinery, and the electric power industry. Despite his brilliance and public acclaim, Tesla struggled financially and battled mental health issues later in life. He died in New York City in 1943, leaving a legacy as one of the most visionary inventors in history whose innovations still shape modern electrical engineering and technology.


What were Tesla's major inventions and their impact

Tesla’s major inventions include the polyphase AC power system and induction motor, the Tesla coil, early radio components and remote control, high‑frequency lighting and X‑ray experiments, and the ambitious Wardenclyffe wireless project, each reshaping how electricity is generated, transmitted, and used worldwide. These advances enabled long‑distance power grids, efficient industrial motors, foundational radio/TV circuitry, practical wireless control, and new research frontiers in electromagnetism and communications.


AC power system

Tesla discovered and patented the rotating magnetic field and developed a practical polyphase alternating‑current system of dynamos, transformers, and motors, which he licensed to George Westinghouse in 1888. This system made efficient long‑distance transmission possible and became the global standard for electric power generation and distribution by outperforming contemporary direct‑current networks.

Induction motor

Building on the rotating magnetic field, Tesla created the AC induction motor (1887–1888), eliminating commutators and brushes and enabling robust, reliable electric drives. Polyphase induction motors are self‑starting, simpler to construct, and better suited to AC networks, transforming industrial power and machinery worldwide.

Niagara Falls and electrification

Westinghouse used Tesla’s AC system to light the 1893 World’s Columbian Exposition and then to build the first large‑scale hydroelectric AC plant at Niagara Falls, delivering power to Buffalo by 1896. These successes validated AC for urban and industrial electrification and accelerated adoption of Tesla’s approach across the United States and beyond.

Tesla coil

Invented in 1891, the Tesla coil is a high‑frequency, high‑voltage resonant transformer that Tesla used to study wireless energy, resonance, and radio phenomena. Though a laboratory and educational staple, its principles influenced early radio and later high‑voltage circuits used in radio and television technologies.

Radio and remote control

Tesla developed essential radio components such as tuned circuits and antennas and in 1898 publicly demonstrated a radio‑controlled boat (teleautomation) at Madison Square Garden, proving practical wireless control. In 1943, the U.S. Supreme Court invalidated key Marconi tuning claims by citing prior work from Tesla and others, complicating priority while underscoring Tesla’s foundational contributions to radio, even as historians note the Court did not anoint a single “inventor of radio”.

X‑rays and high‑frequency lighting

In the 1890s Tesla conducted shadowgraph experiments akin to X‑rays and worked on high‑frequency lighting, including fluorescent and neon concepts and a carbon button lamp. These studies advanced understanding of high‑voltage, high‑frequency effects and influenced later lighting technologies and imaging research.

Wireless power and Wardenclyffe

At Colorado Springs (1899–1900), Tesla reported “terrestrial stationary waves,” generated artificial lightning, and famously lit lamps wirelessly at distance, experiments that informed his later wireless power ideas. The Wardenclyffe Tower (1901–1906) sought global wireless communication and power transmission but was abandoned after funding collapsed, leaving a visionary template that inspired later work on resonant wireless energy transfer and global radio networks.

Tesla turbine and mechanical ideas

In the 1900s Tesla designed a bladeless “Tesla turbine” and explored advanced mechanical oscillators, though these saw limited commercialization at the time. The turbine’s boundary‑layer concept continues to inform niche turbomachinery and micro‑turbine research directions.

Patents and lasting impact

Tesla secured more than 100 U.S. patents and hundreds worldwide across motors, generators, transformers, lighting, radio, and control systems, reflecting the breadth of his inventive output. Collectively, his inventions undergird modern power systems, industrial drives, radio technology, and remote control, shaping the infrastructure and electronics of the 20th and 21st centuries.

TDS and TCS in details

 

Tax Deducted at Source (TDS) and Tax Collected at Source (TCS) are both tax collection mechanisms under the Indian Income Tax Act designed to ensure tax is collected efficiently and prevent tax evasion, but they differ fundamentally in their application, responsibility, and timing.


What is TDS (Tax Deducted at Source)?

TDS is an indirect tax where the payer deducts a certain percentage of tax before making a payment to the recipient, and this deducted amount is deposited with the government. It is applicable on various types of payments such as salaries, interest, rent, professional fees, commission, and contract payments. The responsibility to deduct and deposit TDS lies with the payer. TDS is deducted when the payment is due or made, whichever is earlier. The deducted tax is credited to the recipient's tax account and helps in reducing their overall tax liability when filing returns. Common forms used for TDS filings include Form 24Q, 26Q, and 27Q, filed quarterly. The due date for depositing TDS is generally the 7th day of the following month after the deduction.

What is TCS (Tax Collected at Source)?

TCS is a tax collected by the seller from the buyer at the time of the sale of certain specified goods, such as alcohol, timber, scrap metal, minerals, tendu leaves, forest products, automobiles, and toll tickets. The seller collects this tax over and above the sale price and deposits it with the government. The responsibility for collecting and depositing TCS lies with the seller. TCS is collected at the time of sale and credited to the buyer’s tax account, which the buyer can adjust against their tax liability. The return for TCS is filed quarterly in Form 27EQ. The due date to deposit TCS is also the 7th of the next month after collection. TCS helps the government track high-value transactions and avoid tax evasion in certain industries.

Both TDS and TCS help the Indian government ensure tax compliance and prevent black money circulation by collecting tax at different points in the financial flow—TDS at the time of payment and TCS at the time of transaction of certain goods.


Key Differences


Here are the key differences between TDS (Tax Deducted at Source) and TCS (Tax Collected at Source) in points:

Definition:  

  - TDS is tax deducted by the payer before making a payment to the payee.  

  - TCS is tax collected by the seller from the buyer at the time of sale of specified goods.

Applicability:  

  - TDS applies to payments like salary, interest, rent, professional fees, etc.  

  - TCS applies on sale of specified goods like alcohol, minerals, scrap, automobiles, etc.

Responsible Person:  

  - The payer deducts and deposits TDS.  

  - The seller collects and deposits TCS.

Timing of Tax Deduction/Collection:  

  - TDS is deducted when payment is made or due (whichever is earlier).  

  - TCS is collected at the time of sale.

Tax Credit:  

  - TDS is credited to the payee’s tax account.  

  - TCS is credited to the buyer’s tax account.

Return Filing Forms:  

  - TDS returns are filed quarterly using forms like 24Q, 26Q, or 27Q.  

  - TCS returns are filed quarterly using Form 27EQ.

Due Date for Deposit:  

  - Both TDS and TCS must be deposited by the 7th of the following month after deduction/collection.

Purpose:  

  - TDS ensures tax collection at the time of payment to prevent tax evasion on income.  

  - TCS helps track and collect tax on the transaction of specific goods to curb evasion and black money.

These points highlight the fundamental distinctions and operational differences between TDS and TCS systems in India.


TDS Return Forms


The key TDS return forms used for filing Tax Deducted at Source returns in India are:


Form 24Q: Quarterly statement for TDS deducted from salary payments. This form contains details of salaries paid and TDS deducted on them. It is filed by employers.

Form 26Q: Quarterly statement for TDS deducted on payments other than salaries, such as interest, professional fees, rent, commission, etc.

Form 27Q: Quarterly statement for TDS deducted on payments made to non-residents other than salaries. This form covers payments like interest, dividends, and other sums payable to non-resident Indians and foreign companies.

Form 26QB: Statement for TDS deducted on payment related to the purchase of immovable property (sale consideration).

Form 26QC: Challan-cum-statement filed for TDS deducted on rent payments under section 194-IB.

Form 26QD: For TDS deducted under section 194M on payments for works contracts, commission or professional and technical services (introduced more recently).

Form 26QE: For TDS deducted on transactions involving cryptocurrency.

Form 27EQ: This is actually the TCS return form (Tax Collected at Source) filed quarterly by the seller collecting tax on specified goods.


Due dates for filing these quarterly TDS returns are generally:  

- Q1 (April to June) - 31st July  

- Q2 (July to September) - 31st October  

- Q3 (October to December) - 31st January  

- Q4 (January to March) - 31st May  

However, for forms related to property and rent like 26QB and 26QC, the due date is usually within 30 days from the end of the month in which TDS was deducted.

Employers and other deductors must file the appropriate TDS return forms timely to ensure proper credit of TDS to the deductees and to avoid penalties. TDS certificates such as Form 16 (for salary), Form 16A (for other payments), Form 16B (property transactions), and Form 16C (rent) are issued based on these returns.

Tuesday, October 21, 2025

Why Rejected Hearts Fear to Love Again

A person who has experienced rejection in a relationship fears trying a new relationship primarily because rejection triggers deep emotional pain and vulnerability. This fear stems from an inner belief of being unlovable, unwanted, or unacceptable, which activates the brain’s pain centers similarly to physical pain. Consequently, the mind and body are wired to avoid this pain, leading to a protective mechanism that prevents the person from risking new emotional closeness. The fear can cause hyperawareness of potential rejection signs, increased anxiety, and avoidance behaviors to shield oneself from future hurt. This state may result in reluctance to trust or be vulnerable with new partners, leading to difficulty in initiating or sustaining new relationships.

The fear of rejection is also connected with feelings of emotional instability, low self-worth, and sometimes a fear of abandonment. After a rejection or breakup, the brain tends to cling to the safety of familiarity—even if that familiarity is loneliness or previous hurt—because it is perceived as less risky than the unknown. This anxiety often manifests as anticipation of rejection or avoidance of intimacy altogether, even when there is no current threat, because the past trauma colors the person's expectations in future relationships.

In summary, the fear of trying a new relationship after rejection is fundamentally a protective emotional response generated by the pain and trauma of past rejection. It reflects a survival mechanism aimed at avoiding repeated emotional harm but can interfere with the ability to form new, fulfilling close relationships without addressing underlying fears and insecurities.


What psychological causes make someone fear starting a new relationship


The psychological causes that make someone fear starting a new relationship include a range of emotional and cognitive factors deeply rooted in past experiences and personal insecurities:


1. Fear of Vulnerability: Entering a new relationship requires emotional openness and trust, which makes people feel vulnerable. The risk of being judged or rejected for who they truly are can provoke anxiety and fear.

2. Past Trauma and Negative Experiences: Previous relationship hurts, betrayals, or emotional neglect can create lasting fears. Even subtle cues in new relationships can activate those old insecurities, making new emotional risks feel dangerous.

3. Attachment Styles: Early childhood experiences shape attachment styles; insecure attachments (anxious or avoidant) lead to fears of abandonment, distrust, and difficulty forming secure bonds in adulthood.

4. Low Self-Esteem and Self-Doubt: Feelings of inadequacy or not being “good enough” can cause overthinking and misinterpreting normal relationship challenges as signs of rejection or failure.

5. Fear of Abandonment: The fear of being left alone or emotionally deserted, often stemming from childhood or past relationship losses, influences reluctance to get close or trust new partners.

6. Fear of Losing Independence: Some people fear that relationships will result in losing personal freedom or autonomy, causing resistance to commitment.

7. Overthinking and Anxiety: Excessive worry about maintaining the relationship, fear of making mistakes, or doubting a partner’s commitment creates anxiety that blocks full engagement.

8. Fear of Intimacy: Deep-seated fear of emotional closeness, often linked to fear of judgment or previous emotional pain, causes people to avoid or sabotage potential relationships.

In summary, fear of starting new relationships is typically multifaceted involving vulnerability fears, unresolved past traumas, attachment insecurities, and low self-worth, all of which contribute to anxiety and reluctance about intimacy and commitment.


What practical steps help rebuild confidence after rejection


Practical steps to rebuild confidence after rejection include:


1. Acknowledge and Validate Emotions: Allow yourself to feel the hurt and disappointment without suppressing it. Understanding that rejection is a normal part of life and does not define your worth is important for healing.

2. Challenge Negative Self-Talk: Replace self-critical thoughts like "I'm not good enough" with kinder, more realistic affirmations. Positive self-talk helps restore self-esteem and reframes rejection as an opportunity rather than a failure.

3. Focus on Strengths and Achievements: Remind yourself of past successes and personal qualities to counteract feelings of inadequacy. Setting realistic goals unrelated to the rejection can also build a sense of accomplishment.

4. Step Outside Comfort Zones: Engage in new social activities or hobbies that push you gently outside familiar patterns. This builds social confidence and reduces fear of rejection over time.

5. Practice Self-Care: Regular exercise, good sleep, hobbies, and mindfulness improve emotional resilience and boost mood, indirectly improving confidence.

6. Seek Support: Share your feelings with trusted friends, family, or therapists. External validation and different perspectives help dispel isolating thoughts of unworthiness.

7. Embrace a Growth Mindset: View rejection not as a permanent stop but as a learning and growth opportunity that can lead to better outcomes in the future. Taking small risks intentionally helps build your confidence muscle.

8. Exposure to Rejection: Gradually desensitize yourself by deliberately putting yourself in situations where rejection is possible but manageable. This reduces the fearful impact of rejection and normalizes the experience.

Together, these steps nurture resilience and rebuild confidence after rejection, enabling healthier future relationships and personal growth.

Why women show off herself

Women who expose more of their bodies or dress in revealing ways do not necessarily do so because they “want sex” or because they “have mental issues.” Research shows that the motivations behind such behavior are highly diverse—psychological, social, cultural, and personal—and rarely as simplistic as a single intent or pathology.


Psychological and Emotional Reasons

Many women dress revealingly to enhance self-esteem or feel confident about their appearance. When a woman feels attractive in her own skin, wearing certain clothes can strengthen her sense of self-worth and body positivity, even if no one else is involved. Others do it as a form of self-satisfaction—to feel feminine or beautiful, not necessarily to attract anyone.

Self-Expression and Empowerment

Fashion is one of the most visible forms of identity expression. For some, dressing provocatively reflects personal empowerment and autonomy over one’s body. It can be an act of reclaiming control in societies that often police women’s appearance and modesty standards. In this sense, it’s about challenging norms and asserting ownership of their image rather than sexual solicitation.

Social and Cultural Factors

Cultural norms and media trends strongly shape fashion choices. In Western societies, where individuality and body-positivity movements are common, revealing fashion may symbolize freedom, progressiveness, or alignment with modern ideals of beauty. Celebrities and influencers also influence perception by making certain fashion styles aspirational.

Sexual and Relational Context

While sexual signaling can be one factor, it’s often partner-specific rather than generalized. Studies show women might wear intimate or revealing clothing in private contexts—for example, during relationships—to enhance intimacy or maintain attraction with a chosen partner. This does not imply a universal desire for sex with others.

When It Reflects Deeper Issues

In some cases, revealing clothing may relate to low self-esteem or a search for validation, especially if rooted in negative body image or trauma. However, this is not the norm, and it should not be pathologized or stigmatized—many people of all genders use appearance to manage self-worth.


In conclusion, when a woman dresses revealingly, the gesture usually reflects self-expression, confidence, or empowerment, not necessarily sexual readiness or mental distress. The interpretation often says more about societal perceptions and gender norms than about the woman herself.


Could mental health issues cause exhibitionist behavior in women

Yes, mental health issues can cause exhibitionist behavior in women, though such behavior is much less common in women than in men. Exhibitionistic disorder is classified as a paraphilic disorder characterized by an intense, recurrent urge to expose one's genitals or engage in sexual acts in front of non-consenting people for sexual arousal. While most exhibitionists are men, some women may exhibit genital exhibitionism or exhibitionistic behavior under certain mental health conditions.

Exhibitionistic disorder in women is often linked to underlying psychological challenges such as low self-esteem, past trauma, mood disorders (including bipolar disorder and depression), impulse control disorders like ADHD, personality disorders, and sometimes sexual addiction. It can manifest as compulsive or impulsive behaviors that cause distress or interfere with social, occupational, or personal functioning.

Women exhibiting exhibitionistic behavior may do so as a way to seek validation, power, or control, especially if they have histories of emotional deprivation or trauma. In some cases, exhibitionism serves as a coping mechanism for emotional needs unmet in other areas of life.

The clinical diagnosis of exhibitionistic disorder requires persistent behavior over time (usually six months or more), significant distress or impairment, and acting on urges with non-consenting individuals. Dressing provocatively or consensual appearance in media does not itself constitute exhibitionistic disorder, highlighting that not all exhibitionist-type behavior is pathological.

In summary, exhibitionist behavior in women can be caused by specific mental health disorders but is much rarer and often linked to complex psychological and emotional issues rather than just sexual desire.


рдмрдиाрд░рд╕ рдПрдХ рдкрд░िрдЪрдп

 

рдмрдиाрд░рд╕ (рдЬिрд╕े рд╡ाрд░ाрдгрд╕ी рдпा рдХाрд╢ी рднी рдХрд╣ा рдЬाрддा рд╣ै) рднाрд░рдд рдХे рдЙрдд्рддрд░ рдк्рд░рджेрд╢ рд░ाрдЬ्рдп рдоें рдЧंрдЧा рдирджी рдХे рддрдЯ рдкрд░ рд╕्рдеिрдд рджुрдиिрдпा рдХे рд╕рдмрд╕े рдк्рд░ाрдЪीрди рдЬीрд╡िрдд рд╢рд╣рд░ों рдоें рд╕े рдПрдХ рд╣ै। рдпрд╣ рдирдЧрд░ рднाрд░рддीрдп рд╕ंрд╕्рдХृрддि, рдЖрд╕्рдеा, рдФрд░ рдЬ्рдЮाрди рдХा рдХेंрдж्рд░ рдоाрдиा рдЬाрддा рд╣ै, рдЬिрд╕े “рдоंрджिрд░ों рдХा рд╢рд╣рд░”, “рд╢िрд╡ рдХी рдирдЧрд░ी” рдФрд░ “рднाрд░рдд рдХी рдзाрд░्рдоिрдХ рд░ाрдЬрдзाрдиी” рдЬैрд╕े рд╡िрд╢ेрд╖рдгों рд╕े рд╕ंрдмोрдзिрдд рдХिрдпा рдЬाрддा рд╣ै।

рдРрддिрд╣ाрд╕िрдХ рд╡ рдзाрд░्рдоिрдХ рдорд╣рдд्рд╡

рдмрдиाрд░рд╕ рдХा рдЗрддिрд╣ाрд╕ рд╕рд╣рд╕्рд░ों рд╡рд░्рд╖ों рдкुрд░ाрдиा рд╣ै। рдорд╣ाрднाрд░рдд рдФрд░ рдкुрд░ाрдгों рдоें рдЗрд╕рдХा рд╡рд░्рдгрди рдоिрд▓рддा рд╣ै, рдФрд░ рдЗрд╕े рднрдЧрд╡ाрди рд╢िрд╡ рдХा рдиिрд╡ाрд╕ рдоाрдиा рдЧрдпा рд╣ै। рд╣िрди्рджू рдкрд░ंрдкрд░ा рдХे рдЕрдиुрд╕ाрд░ рдпрд╣ां рдоृрдд्рдпु рд╡्рдпрдХ्рддि рдХो рдоोрдХ्рд╖ рдк्рд░рджाрди рдХрд░рддी рд╣ै। рдпрд╣ीं рдиिрдХрдЯ рд╕ाрд░рдиाрде рдоें рдЧौрддрдо рдмुрдж्рдз рдиे рдЬ्рдЮाрди рдк्рд░ाрдк्рддि рдХे рдмाрдж рдЕрдкрдиा рдкрд╣рд▓ा рдЙрдкрджेрд╢ рджिрдпा, рдЬिрд╕рд╕े рдпрд╣ рдмौрдж्рдз рдзрд░्рдо рдХे рд▓िрдП рднी рдЕрдд्рдпंрдд рдкрд╡िрдд्рд░ рд╕्рдеाрди рдмрди рдЧрдпा। рдЬैрди рдзрд░्рдо рдЕрдиुрдпाрдпी рднी рдЗрд╕े рддीрд░्рде рдоाрдирддे рд╣ैं рдХ्рдпोंрдХि рддेрдИрд╕рд╡ें рддीрд░्рдеंрдХрд░ рдкाрд░्рд╢्рд╡рдиाрде рдХा рдЬрди्рдо рдпрд╣ीं рд╣ुрдЖ рдеा।

рд╕ांрд╕्рдХृрддिрдХ рдФрд░ рд╢ैрдХ्рд╖рдгिрдХ рднूрдоिрдХा

рд╡ाрд░ाрдгрд╕ी рднाрд░рддीрдп рд╕ंрд╕्рдХृрддि рдФрд░ рд╕ंрдЧीрдд рдХा рдк्рд░рдоुрдЦ рдХेंрдж्рд░ рд░рд╣ा рд╣ै। рд╣िрди्рджुрд╕्рддाрдиी рд╢ाрд╕्рдд्рд░ीрдп рд╕ंрдЧीрдд рдХा рдЪрд░्рдЪिрдд “рдмрдиाрд░рд╕ рдШрд░ाрдиा” рдпрд╣ीं рдЙрдд्рдкрди्рди рд╣ुрдЖ। рдирдЧрд░ рдиे рдЕрдиेрдХ рд╡िрдж्рд╡ाрдиों, рдХрд╡िрдпों рдФрд░ рд╕ंрддों рдХो рдЬрди्рдо рджिрдпा — рдХрдмीрд░, рддुрд▓рд╕ीрджाрд╕, рд░рд╡िрджाрд╕, рдоुंрд╢ी рдк्рд░ेрдордЪंрдж, рдЬрдпрд╢ंрдХрд░ рдк्рд░рд╕ाрдж, рдЙрд╕्рддाрдж рдмिрд╕्рдоिрд▓्рд▓ाрд╣ рдЦां рдФрд░ рдкं. рд░рд╡ि рд╢ंрдХрд░ рдРрд╕े рд╣ी рдХुрдЫ рдиाрдо рд╣ैं। рдпрд╣ी рд╡рд╣ рд╕्рдеाрди рд╣ै рдЬрд╣ाँ рддुрд▓рд╕ीрджाрд╕ рдиे рд░ाрдордЪрд░िрддрдоाрдирд╕ рдХी рд░рдЪрдиा рдХी।

рдк्рд░рдоुрдЦ рдзाрд░्рдоिрдХ рдФрд░ рд╕ांрд╕्рдХृрддिрдХ рд╕्рдерд▓

рдпрд╣ाँ рдХे рдХाрд╢ी рд╡िрд╢्рд╡рдиाрде рдоंрджिрд░, рджрд╢ाрд╢्рд╡рдоेрдз рдШाрдЯ рдФрд░ рдЕрд╕्рд╕ी рдШाрдЯ рд╡िрд╢ेрд╖ рдк्рд░рд╕िрдж्рдз рд╣ैं। рдЧंрдЧा рдЖрд░рддी рдмрдиाрд░рд╕ рдХी рдЖрд╕्рдеा рдХा рдк्рд░рдоुрдЦ рдк्рд░рддीрдХ рд╣ै। рд╕ाрде рд╣ी рдпрд╣ рд╡्рдпाрдкाрд░ рдХा рднी рдХेंрдж्рд░ рд░рд╣ा рд╣ै, рд╡िрд╢ेрд╖рдХрд░ рдмрдиाрд░рд╕ी рд░ेрд╢рдоी рд╕ाрдб़िрдпों рдФрд░ рд╕ोрдиे-рдЪाँрджी рдХे рдм्рд░ोрдХेрдб рд╡рд╕्рдд्рд░ों рдХे рд▓िрдП।

рд╢िрдХ्рд╖ा рдФрд░ рд╕ाрд╣िрдд्рдп

рдмрдиाрд░рд╕ рд╢िрдХ्рд╖ा рдХा рдк्рд░ाрдЪीрди рдХेंрдж्рд░ рд░рд╣ा рд╣ै। рдпрд╣ाँ рдк्рд░рддिрд╖्рдаिрдд рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп рдЬैрд╕े рдмрдиाрд░рд╕ рд╣िंрджू рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп (BHU), рдорд╣ाрдд्рдоा рдЧांрдзी рдХाрд╢ी рд╡िрдж्рдпाрдкीрда, рд╕ंрдкूрд░्рдгाрдиंрдж рд╕ंрд╕्рдХृрдд рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп рдФрд░ рд╕ेंрдЯ्рд░рд▓ рдЗंрд╕्рдЯीрдЯ्рдпूрдЯ рдСрдл рд╣ाрдпрд░ рдЯिрдмेрдЯिрдпрди рд╕्рдЯрдбीрдЬ рд╕्рдеिрдд рд╣ैं।

рдЙрд▓्рд▓ेрдЦрдиीрдп рдЙрдж्рдзрд░рдг

рдЕрдоेрд░िрдХी рд▓ेрдЦрдХ рдоाрд░्рдХ рдЯ्рд╡ेрди рдиे рдХрд╣ा рдеा:  

“рдмрдиाрд░рд╕ рдЗрддिрд╣ाрд╕ рд╕े рднी рдкुрд░ाрдиा рд╣ै, рдкрд░ंрдкрд░ा рд╕े рдкुрд░ाрдиा рд╣ै, рдХिंрд╡рджंрддी рд╕े рднी рдкुрд░ाрдиा рд╣ै, рдФрд░ рдЗрди рд╕рдмрдХे рдЬोрдб़ рд╕े рднी рджुрдЧुрдиा рдкुрд░ाрдиा рд╣ै।”

рд╕ंрдХ्рд╖ेрдк рдоें, рдмрдиाрд░рд╕ рднाрд░рдд рдХी рдЖрдд्рдоा рдХा рдк्рд░рддीрдХ рд╣ै—рдЬрд╣ाँ рдзрд░्рдо, рд╕ंрд╕्рдХृрддि, рд╢िрдХ्рд╖ा рдФрд░ рдХрд▓ा рд╕рджिрдпों рд╕े рдПрдХ рд╕ाрде рдк्рд░рд╡ाрд╣िрдд рд╣ो рд░рд╣े рд╣ैं।


рдмрдиाрд░рд╕ рдХे рдк्рд░рдоुрдЦ рддीрд░्рдерд╕्рдерд▓ рдФрд░ рдЙрдирдХा рдЗрддिрд╣ाрд╕

рдмрдиाрд░рд╕ (рд╡ाрд░ाрдгрд╕ी рдпा рдХाрд╢ी) рднाрд░рдд рдХा рд╡рд╣ рдк्рд░ाрдЪीрди рддीрд░्рде рд╣ै рдЬिрд╕े "рдоोрдХ्рд╖ рдХी рдирдЧрд░ी" рдХрд╣ा рдЬाрддा рд╣ै। рдпрд╣ाँ рд╕्рдеिрдд рддीрд░्рдерд╕्рдерд▓ рдзाрд░्рдоिрдХ, рд╕ांрд╕्рдХृрддिрдХ рдФрд░ рдРрддिрд╣ाрд╕िрдХ рджृрд╖्рдЯि рд╕े рдЕрдд्рдпंрдд рдорд╣рдд्рд╡рдкूрд░्рдг рд╣ैं, рдЬो рд╣िंрджू, рдмौрдж्рдз рдФрд░ рдЬैрди рдкрд░ंрдкрд░ाрдУं рд╕े рдЧрд╣рд░ाрдИ рд╕े рдЬुрдб़े рд╣ैं।

рдХाрд╢ी рд╡िрд╢्рд╡рдиाрде рдоंрджिрд░

рдпрд╣ рд╡ाрд░ाрдгрд╕ी рдХा рд╕рдмрд╕े рдк्рд░рд╕िрдж्рдз рдФрд░ рдкрд╡िрдд्рд░ рдоंрджिрд░ рд╣ै, рднрдЧрд╡ाрди рд╢िрд╡ рдХो рд╕рдорд░्рдкिрдд рдмाрд░рд╣ рдЬ्рдпोрддिрд░्рд▓िंрдЧों рдоें рдк्рд░рдоुрдЦ рд╕्рдеाрди рд░рдЦрддा рд╣ै। рдоाрдиा рдЬाрддा рд╣ै рдХि рдЗрд╕ рдоंрджिрд░ рдоें рджрд░्рд╢рди рдХрд░рдиे рд╕े рдоोрдХ्рд╖ рдХी рдк्рд░ाрдк्рддि рд╣ोрддी рд╣ै। рдЗрд╕рдХा рдЗрддिрд╣ाрд╕ рдЕрдд्рдпंрдд рдк्рд░ाрдЪीрди рд╣ै; рд╡рд░्рддрдоाрди рдоंрджिрд░ рдХा рдкुрдирд░्рдиिрд░्рдоाрдг рдорд╣ाрд░ाрдиी рдЕрд╣िрд▓्рдпाрдмाрдИ рд╣ोрд▓्рдХрд░ рдиे 1780 рдИ. рдоें рдХрд░рд╡ाрдпा рдеा, рдФрд░ рдмाрдж рдоें рдорд╣ाрд░ाрдЬा рд░рдгрдЬीрдд рд╕िंрд╣ рдиे рдЗрд╕рдХे рд╢िрдЦрд░ рдкрд░ рд╕ोрдиे рдХा рдЖрд╡рд░рдг рдЪрдв़рд╡ाрдпा।

рдоाрддा рдЕрди्рдирдкूрд░्рдгा рдоंрджिрд░

рдХाрд╢ी рд╡िрд╢्рд╡рдиाрде рдоंрджिрд░ рдХे рд╕рдоीрдк рд╕्рдеिрдд рдЗрд╕ рдоंрджिрд░ рдоें рджेрд╡ी рдЕрди्рдирдкूрд░्рдгा рдХी рдкूрдЬा рд╣ोрддी рд╣ै, рдЬिрди्рд╣ें рдЕрди्рди рдФрд░ рд╕рдоृрдж्рдзि рдХी рджेрд╡ी рдХрд╣ा рдЬाрддा рд╣ै। рдпрд╣ рд╡िрд╢्рд╡ाрд╕ рд╣ै рдХि рдХाрд╢ी рдоें рднोрдЬрди рдФрд░ рдЬीрд╡рди рдХी рдиिрд░ंрддрд░рддा рджेрд╡ी рдЕрди्рдирдкूрд░्рдгा рдХी рдХृрдкा рд╕े рд╣ी рд╣ै।

рд╕ंрдХрдЯрдоोрдЪрди рд╣рдиुрдоाрди рдоंрджिрд░

рдпрд╣ рдоंрджिрд░ рдЧोрд╕्рд╡ाрдоी рддुрд▓рд╕ीрджाрд╕ рдж्рд╡ाрд░ा рд╕्рдеाрдкिрдд рдоाрдиा рдЬाрддा рд╣ै। рдпрд╣ рднрдЧрд╡ाрди рд╣рдиुрдоाрди рдХो рд╕рдорд░्рдкिрдд рд╣ै рдФрд░ рд╡िрд╢ेрд╖ рд░ूрдк рд╕े рдоंрдЧрд▓рд╡ाрд░ рд╡ рд╢рдиिрд╡ाрд░ рдХो рдЕрдд्рдпрдзिрдХ рднीрдб़ рд░рд╣рддी рд╣ै। рдпрд╣ाँ рднрдХ्рдд рдЕрдкрдиे рд╕ंрдХрдЯों рдХी рдоुрдХ्рддि рдФрд░ рд╢ांрддि рдХी рдк्рд░ाрд░्рдердиा рдХрд░рдиे рдЖрддे рд╣ैं।

рджुрд░्рдЧा рдХुंрдб рдоंрджिрд░

рдпрд╣ рдоंрджिрд░ рджेрд╡ी рджुрд░्рдЧा рдХो рд╕рдорд░्рдкिрдд рд╣ै, рдФрд░ рдЗрд╕рдХा рдиिрд░्рдоाрдг 18рд╡ीं рд╢рддाрдм्рджी рдоें рдорд░ाрдаा рд╢ाрд╕рдХों рдиे рдХрд░рд╡ाрдпा рдеा। рдоंрджिрд░ рдХे рдиिрдХрдЯ рдПрдХ рдмрдб़ा рдХुंрдб (рддाрд▓ाрдм) рд╣ै, рдЬिрд╕े рдЧंрдЧा рд╕े рдЬुрдб़ा рд╣ुрдЖ рдоाрдиा рдЬाрддा рд╣ै। рдирд╡рд░ाрдд्рд░ि рдХे рд╕рдордп рдпрд╣ां рд╡िрд╢ेрд╖ рдкूрдЬा рд╣ोрддी рд╣ै।

рдХाрд▓ рднैрд░рд╡ рдоंрджिрд░

рдХाрд▓ рднैрд░рд╡ рдХो рд╡ाрд░ाрдгрд╕ी рдХा "рдХोрддрд╡ाрд▓" рдоाрдиा рдЧрдпा рд╣ै। рдпрд╣ рдоंрджिрд░ рднрдЧрд╡ाрди рд╢िрд╡ рдХे рднрдпाрд╡рд╣ рд░ूрдк рдХो рд╕рдорд░्рдкिрдд рд╣ै, рдЬिрдирдХी рдкूрдЬा рдмिрдиा рдЕрдиुрдорддि рдХे рдХाрд╢ी рдоें рдиिрд╡ाрд╕ рдирд╣ीं рдХी рдЬा рд╕рдХрддी। рдпрд╣ рдирдЧрд░ рдХी рд░рдХ्рд╖ा рдХा рдк्рд░рддीрдХ рд╣ै।

рдЕрд╕्рд╕ी рдШाрдЯ

рдЧंрдЧा рдФрд░ рдЕрд╕ि рдирджी рдХे рд╕ंрдЧрдо рдкрд░ рд╕्рдеिрдд рдпрд╣ рдШाрдЯ рд╕ाрдзрдиा, рдпोрдЧ рдФрд░ рдкूрдЬा рдХा рдк्рд░рдоुрдЦ рдХेंрдж्рд░ рд╣ै। рдХрд╣ा рдЬाрддा рд╣ै рдХि рднрдЧрд╡ाрди рд╢िрд╡ рдиे рдпрд╣ाँ рдПрдХ рдЕрд╕ि рдиाрдордХ рд░ाрдХ्рд╖рд╕ рдХा рд╡рдз рдХिрдпा рдеा, рдЬिрд╕рд╕े рдШाрдЯ рдХा рдиाрдо рдкрдб़ा।

рджрд╢ाрд╢्рд╡рдоेрдз рдШाрдЯ

рд╡ाрд░ाрдгрд╕ी рдХा рд╕рдмрд╕े рдк्рд░рд╕िрдж्рдз рдШाрдЯ, рдЬрд╣ाँ рднрдЧрд╡ाрди рдм्рд░рд╣्рдоा рдиे рднрдЧрд╡ाрди рд╢िрд╡ рдХी рдЖрд░ाрдзрдиा рд╣ेрддु рджрд╕ рдЕрд╢्рд╡рдоेрдз рдпрдЬ्рдЮ рдХिрдП рдеे। рдпрд╣ाँ рд╣рд░ рд╕ंрдз्рдпा “рдЧंрдЧा рдЖрд░рддी” рдХा рдЕрдж्рднुрдд рджृрд╢्рдп рджेрдЦा рдЬाрддा рд╣ै рдЬो рднрдХ्рддों рдХो рдЖрдз्рдпाрдд्рдоिрдХ рдЖрдирди्рдж рдк्рд░рджाрди рдХрд░рддा рд╣ै।

рдордгिрдХрд░्рдгिрдХा рдШाрдЯ

рдпрд╣ рдШाрдЯ рдЬीрд╡рди рдФрд░ рдоृрдд्рдпु рдХे рд╕ंрдЧрдо рдХा рдк्рд░рддीрдХ рд╣ै, рдЬрд╣ाँ рд╢рд╡рджाрд╣ рд╕ंрд╕्рдХाрд░ рдХिрдП рдЬाрддे рд╣ैं। рдкौрд░ाрдгिрдХ рдХрдеा рдХे рдЕрдиुрд╕ाрд░, рдоाрддा рдкाрд░्рд╡рддी рдХा рдХрд░्рдгрдлूрд▓ рдпрд╣ाँ рдЧिрд░ा рдеा, рдЬिрд╕рд╕े рдЗрд╕рдХा рдиाрдо рдордгिрдХрд░्рдгिрдХा рдкрдб़ा।

рд╕ाрд░рдиाрде

рд╡ाрд░ाрдгрд╕ी рд╕े рд▓рдЧрднрдЧ 10 рдХिрдоी рджूрд░ рд╕्рдеिрдд рдпрд╣ рд╕्рдеाрди рдмौрдж्рдз рдзрд░्рдо рдХे рдЕрдиुрдпाрдпिрдпों рдХे рд▓िрдП рдЕрдд्рдпंрдд рдкрд╡िрдд्рд░ рд╣ै, рдХ्рдпोंрдХि рдпрд╣ीं рднрдЧрд╡ाрди рдмुрдж्рдз рдиे рдЬ्рдЮाрди рдк्рд░ाрдк्рддि рдХे рдмाрдж рдкрд╣рд▓ा рдк्рд░рд╡рдЪрди рджिрдпा рдеा। рдпрд╣ाँ рдзाрдоेрдЦ рд╕्рддूрдк рдФрд░ рдЕрд╢ोрдХ рд╕्рддंрдн рд╡िрд╢ेрд╖ рджрд░्рд╢рдиीрдп рд╣ैं।

рд╕ंрдХ्рд╖ेрдк рдоें, рдмрдиाрд░рд╕ рдХे рддीрд░्рдерд╕्рдерд▓ рди рдХेрд╡рд▓ рдзाрд░्рдоिрдХ рднाрд╡рдиाрдУं рдХा рдХेंрдж्рд░ рд╣ैं, рдмрд▓्рдХि рднाрд░рдд рдХी рдЖрдз्рдпाрдд्рдоिрдХ рдЪेрддрдиा рдФрд░ рд╕ांрд╕्рдХृрддिрдХ рдиिрд░ंрддрд░рддा рдХा рд╕рдЬीрд╡ рдк्рд░рдоाрдг рднी рд╣ैं।



рдмрдиाрд░рд╕ рдХे рдк्рд░ाрдЪीрди рдоंрджिрд░ों рд╕े рдЬुрдб़ी рдк्рд░рдоुрдЦ рдХрд╣ाрдиिрдпाँ

рдмрдиाрд░рд╕ (рд╡ाрд░ाрдгрд╕ी) рдХे рдк्рд░ाрдЪीрди рдоंрджिрд░ рдХेрд╡рд▓ рдЖрд╕्рдеा рдХे рдк्рд░рддीрдХ рдирд╣ीं рд╣ैं, рдмрд▓्рдХि рдЗрдирд╕े рдЬुрдб़ी рдЕрдиेрдХ рдкौрд░ाрдгिрдХ рдХрдеाрдПँ рд╣िрди्рджू рдзрд░्рдо, рд╕ंрд╕्рдХृрддि рдФрд░ рдЖрдз्рдпाрдд्рдоिрдХ рдкрд░ंрдкрд░ा рдХी рдЧрд╣рд░ाрдИ рдХो рджрд░्рд╢ाрддी рд╣ैं। рдиीрдЪे рдЗрдирдХे рдк्рд░рдоुрдЦ рдоंрджिрд░ों рд╕े рд╕ंрдмंрдзिрдд рд░ोрдЪрдХ рдХрд╣ाрдиिрдпाँ рджी рдЧрдИ рд╣ैं।

рдХाрд╢ी рд╡िрд╢्рд╡рдиाрде рдоंрджिрд░ рдХी рдХрдеा

рдкौрд░ाрдгिрдХ рдоाрди्рдпрддा рдХे рдЕрдиुрд╕ाрд░ рдЬрдм рдм्рд░рд╣्рдоा рдФрд░ рд╡िрд╖्рдгु рдХे рдмीрдЪ рд╢्рд░ेрд╖्рдарддा рдХो рд▓ेрдХрд░ рд╡िрд╡ाрдж рд╣ुрдЖ, рддрдм рд╢िрд╡ рдк्рд░рдХрдЯ рд╣ुрдП рдФрд░ рдЙрди्рд╣ोंрдиे рдХрд╣ा—рдЬिрд╕े рдоेрд░ी рдЬ्рдпोрддिрд░्рд▓िंрдЧ рдХे рдЕंрдд рдпा рдЖрд░ंрдн рдХा рдкрддा рдЪрд▓ेрдЧा, рд╡рд╣ी рд╕рд░्рд╡ोрдЪ्рдЪ рд╣ोрдЧा। рд╡िрд╖्рдгु рдиे рдзрд░рддी рдХी рдУрд░ рдЬाрдХрд░ рд╢ोрдз рдХिрдпा рдФрд░ рдм्рд░рд╣्рдоा рдКрдкрд░ рдХी рдУрд░। рд╡िрд╖्рдгु рд▓ौрдЯ рдЖрдП рдФрд░ рд╕рдд्рдп рдмोрд▓े, рдкрд░ंрддु рдм्рд░рд╣्рдоा рдиे рдЕрд╕рдд्рдп рдХрд╣ा। рдЗрд╕ рдкрд░ рд╢िрд╡ рдиे рдм्рд░рд╣्рдоा рдХो рд╢ाрдк рджिрдпा рдХि рдЙрдирдХी рдкूрдЬा рдХрднी рдирд╣ीं рд╣ोрдЧी, рдФрд░ рд╡рд╣ीं рдкрд╣рд▓ा рдЬ्рдпोрддिрд░्рд▓िंрдЧ “рд╡िрд╢्рд╡рдиाрде” рд░ूрдк рдоें рдк्рд░рдХрдЯ рд╣ुрдЖ।

рдПрдХ рдЕрди्рдп рдХрдеा рдХे рдЕрдиुрд╕ाрд░, рджेрд╡ी рдкाрд░्рд╡рддी рдЕрдкрдиी рдоाрдпрдХे рдоें рдЕрд╕ंрддुрд╖्рдЯ рдеीं, рддो рднрдЧрд╡ाрди рд╢िрд╡ рдЙрди्рд╣ें рдЕрдкрдиे рдиिрдд्рдп рдиिрд╡ाрд╕ рдХे рд▓िрдП рдХाрд╢ी рд▓ेрдХрд░ рдЖрдП рдФрд░ рд╡рд╣ीं рд╕्рд╡рдпं рдХो рд╡िрд╢्рд╡рдиाрде рдЬ्рдпोрддिрд░्рд▓िंрдЧ рдХे рд░ूрдк рдоें рд╕्рдеाрдкिрдд рдХिрдпा।

рдХाрд▓ рднैрд░рд╡ рдоंрджिрд░ рдХी рдХрдеा

рдХाрд╢ी рдЦंрдб рдХे рдЕрдиुрд╕ाрд░, рдЬрдм рдм्рд░рд╣्рдоा рдиे рдЭूрда рдХрд╣ा, рддो рд╢िрд╡ рдХे рдХ्рд░ोрдз рд╕े рдЙрдирдХे рднौंрд╣ों рд╕े рдПрдХ рднрдпाрдирдХ рд░ूрдк рдЙрдд्рдкрди्рди рд╣ुрдЖ—**рднैрд░рд╡**। рдЙрди्рд╣ोंрдиे рдм्рд░рд╣्рдоा рдХा рдПрдХ рд╕िрд░ рдХाрдЯ рджिрдпा। рдЗрд╕ рдХाрд░рдг рднैрд░рд╡ рдкрд░ рдм्рд░рд╣्рдорд╣рдд्рдпा рдХा рджोрд╖ рд▓рдЧा рдФрд░ рд╡े рдк्рд░ाрдпрд╢्рдЪिрдд рд╣ेрддु рдХाрд╢ी рдкрд╣ुंрдЪे। рдЧंрдЧा рд╕्рдиाрди рдФрд░ рддрдкрд╕्рдпा рдХे рдкрд╢्рдЪाрдд рд╡े “рдХाрд╢ी рдХे рдХोрддрд╡ाрд▓” рдиिрдпрдд рдХिрдП рдЧрдП। рдЖрдЬ рднी рдЙрди्рд╣ें рдирдЧрд░ рд░рдХ्рд╖рдХ рдоाрдиा рдЬाрддा рд╣ै।

рдЕрди्рдирдкूрд░्рдгा рджेрд╡ी рдоंрджिрд░ рдХी рдХрдеा

рдоाрди्рдпрддा рд╣ै рдХि рдПрдХ рдмाрд░ рднрдЧрд╡ाрди рд╢िрд╡ рдиे рд╕ंрд╕ाрд░ рдХी рдирд╢्рд╡рд░рддा рдХे рдЙрдкрджेрд╢ рдоें рдХрд╣ा рдХि рднोрдЬрди рдХेрд╡рд▓ рдоाрдпा рд╣ै। рджेрд╡ी рдкाрд░्рд╡рддी рдиाрд░ाрдЬ рд╣ोрдХрд░ рдХाрд╢ी рд╕े рдЪрд▓ी рдЧрдИं, рдФрд░ рдкूрд░ा рдЬрдЧ рднूрдЦ рд╕े рд╡्рдпाрдХुрд▓ рд╣ो рдЧрдпा। рддрдм рд╢िрд╡ рдиे рдЙрди्рд╣ें рдордиाрдпा, рдЬिрд╕рдХे рдмाрдж рд╡े “рдЕрди्рдирдкूрд░्рдгा” рд░ूрдк рдоें рдХाрд╢ी рд▓ौрдЯीं рдФрд░ рдк्рд░рдЬा рдХो рдЕрди्рдирджाрди рдХिрдпा। рдЗрд╕рд▓िрдП рдХाрд╢ी рдоें рдХрднी рднोрдЬрди рдХी рдХрдоी рдирд╣ीं рд╣ोрддी।

рдд्рд░िрд▓ोрдЪрди рдорд╣ाрджेрд╡ рдоंрджिрд░ рдХी рдХрдеा

рдд्рд░िрд▓ोрдЪрди рдШाрдЯ рд╕्рдеिрдд рдпрд╣ рдоंрджिрд░ рдХाрд╢ी рдХा рдЕрдд्рдпंрдд рдк्рд░ाрдЪीрди рддीрд░्рде рд╣ै। рдХрд╣ा рдЬाрддा рд╣ै рдХि рддीрди рдирджिрдпों—рдЧंрдЧा, рдирд░्рдорджा рдФрд░ рдкिрдк्рдкिрд▓ा—рдХा рд╕ंрдЧрдо рдпрд╣ाँ рдЕрджृрд╢्рдп рд░ूрдк рд╕े рд╣ोрддा рд╣ै। рд╕्рдХंрдж рдкुрд░ाрдг рдХे рдХाрд╢ी рдЦंрдб рдоें рдЙрд▓्рд▓ेрдЦ рд╣ै рдХि рдпрд╣ाँ рднрдЧрд╡ाрди рд╢िрд╡ рдХे рддीрд╕рд░े рдиेрдд्рд░ рдХी рдк्рд░рддीрдХ рдкूрдЬा рд╣ोрддी рд╣ै। рдпрд╣ рд╕्рдеाрди “рдд्рд░िрд▓ोрдЪрди” (рддीрди рдиेрдд्рд░ рд╡ाрд▓े) рд╕्рд╡рд░ूрдк рдХो рд╕рдорд░्рдкिрдд рд╣ै।

рджुрд░्рдЧा рдХुंрдб рдоंрджिрд░ рдХी рдХрдеा

рдХрдеा рдХे рдЕрдиुрд╕ाрд░ рдпрд╣ рдоंрджिрд░ рджेрд╡ी рдкाрд░्рд╡рддी рдХे “рджुрд░्рдЧा” рд░ूрдк рдХी рд╕्рдеाрдкрдиा рд╕े рдЬुрдб़ा рд╣ै। рдпрд╣ाँ рдХा рдХुंрдб рдЧंрдЧा рд╕े рд░рд╣рд╕्рдпрдордп рдоाрд░्рдЧ рдж्рд╡ाрд░ा рдЬुрдб़ा рдоाрдиा рдЬाрддा рд╣ै। рдкौрд░ाрдгिрдХ рдоाрди्рдпрддा рд╣ै рдХि рдоंрджिрд░ рдоें рд╡िрд░ाрдЬрдоाрди рдоूрд░्рддि рд╕्рд╡рдпं рдк्рд░рдХрдЯ рд╣ुрдИ рдеी, рдЬिрд╕े рдХिрд╕ी рдиे рд╕्рдеाрдкिрдд рдирд╣ीं рдХिрдпा।

рдоृрдд्рдпुंрдЬрдп рдорд╣ाрджेрд╡ рдоंрджिрд░ рдХी рдХрдеा

рдпрд╣ рдоंрджिрд░ рд░ोрдЧों рд╕े рдоुрдХ्рддि рджेрдиे рд╡ाрд▓े рд╢िрд╡ рдХे “рдоृрдд्рдпुंрдЬрдп” рд░ूрдк рдХो рд╕рдорд░्рдкिрдд рд╣ै। рдХिंрд╡рджंрддी рд╣ै рдХि рдпрд╣ाँ рдХा рдЬрд▓ рд╣рд░ рдк्рд░рдХाрд░ рдХी рдмीрдоाрд░ी рдФрд░ рдЕрдХाрд▓ рдоृрдд्рдпु рд╕े рд░рдХ्рд╖ा рдХрд░рддा рд╣ै। рдпрд╣ाँ рднрдХ्рдд “рдоृрдд्рдпुंрдЬрдп рдЬрдк” рдХрд░рддे рд╣ैं рдФрд░ рдоंрджिрд░ рдХे рдкрд╡िрдд्рд░ рдХूрдк рд╕े рдЬрд▓ рд▓ेрдХрд░ рд╕्рдиाрди рдХрд░рддे рд╣ैं рддाрдХि рдЬीрд╡рди рджीрд░्рдШ рдФрд░ рдиिрд░ोрдЧ рд╣ो।

рд╡ाрд░ाрдгрд╕ी рджेрд╡ी рдФрд░ рдд्рд░िрд▓ोрдЪрди рдХрдеा

рдпрд╣ рдХрдеा рд╢рд╣рд░ рдХी рджेрд╡ी “рд╡ाрд░ाрдгрд╕ी рджेрд╡ी” рд╕े рдЬुрдб़ी рд╣ै, рдЬिрдирдХी рдк्рд░рддिрдоा рдд्рд░िрд▓ोрдЪрди рдШाрдЯ рдкрд░ рд╢िрд╡ рдоंрджिрд░ рдХे рдк्рд░ांрдЧрдг рдоें рд╕्рдеिрдд рд╣ै। рдкुрд░ाрдгों рдХे рдХाрд╢ी рдЦंрдб рдоें рд▓िрдЦा рд╣ै рдХि рдпрд╣ рджेрд╡ी рд╕्рд╡рдпं рдХाрд╢ी рдХी рд░рдХ्рд╖рдХ рдФрд░ рдЕрдзिрд╖्рдаाрдд्рд░ी рд╢рдХ्рддि рд╣ैं, рдЬो рдирдЧрд░ рдХी рдКрд░्рдЬाрдУं рдФрд░ рд╕ंрддुрд▓рди рдХी рдЕрднिрд╡्рдпрдХ्рддि рдоाрдиी рдЬाрддी рд╣ैं।

рдЗрди рдоंрджिрд░ों рдХी рдХрдеाрдПँ рди рдХेрд╡рд▓ рд╕्рдеाрдиीрдп рд╢्рд░рдж्рдзा рдХा рдЖрдзाрд░ рд╣ैं, рдмрд▓्рдХि рднाрд░рддीрдп рдЕрдз्рдпाрдд्рдо рдФрд░ рдкौрд░ाрдгिрдХ рдЪेрддрдиा рдХी рдиिрд░ंрддрд░рддा рдХा рдк्рд░рддीрдХ рднी рд╣ैं।


Sunday, October 19, 2025

Why I feel that I am Unlucky

Feeling "unlucky" is a common human experience, usually driven by psychological, social, and cognitive factors rather than actual luck or fate. The sensation often arises from focusing on negative outcomes, comparing oneself to others, or expecting life to be fair in all circumstances. Several factors contribute to the sense of being unlucky:


Psychological Explanations

- People tend to notice and remember negative events more strongly than positive ones, a phenomenon known as negativity bias.

- Cognitive distortions, such as overgeneralization (believing "bad things always happen to me"), can reinforce the feeling of being unlucky.

- When expectations are not met, it can feel like bad luck, even if the events are random or have other explanations.


Social and Environmental Factors

- Comparisons with others who seem to have more success or good fortune amplify the sense of personal bad luck.

- Repeated exposure to stories about others' success can distort perceptions of one’s own experiences, making normal setbacks seem unusually unfortunate.


Philosophical and Cultural Views

- Many philosophical and spiritual traditions argue that "luck" is often a matter of perspective, and that success typically results from persistent effort rather than chance alone.

- Shifting focus from uncontrollable external circumstances to internal growth can help mitigate feelings of being unlucky.


Approaches to Overcome the Feeling

- Practicing gratitude and recognizing small wins can help retrain the mind to notice positive experiences.

- Rational analysis of events often reveals that setbacks are part of life for everyone, rather than signs of being inherently unlucky.

- Building resilience and problem-solving skills offers more control over life outcomes, reducing the belief in persistent bad luck.


If these feelings persist, exploring them with a counselor or trusted advisor can further clarify underlying causes and help develop healthier perspectives.


Friday, October 17, 2025

рднाрд░рдд рдоें рд╣ाрдеिрдпों рдХी рдирдИ рдЧрдгрдиा: рдШрдЯрддी рд╕ंрдЦ्рдпा, рдирдИ рддрдХрдиीрдХ рдФрд░ рд╕ंрд░рдХ्рд╖рдг рдХी рдЪुрдиौрддी

рднाрд░рдд рдоें рд╣ाрд▓ рд╣ी рдоें рдк्рд░рдХाрд╢िрдд ‘Synchronous All India Elephant Estimation (SAIEE) 2021–25’ рд░िрдкोрд░्рдЯ рдХे рдЕрдиुрд╕ाрд░, рджेрд╢ рдХी рд╣ाрдеी рдЖрдмाрджी рдоें рд▓рдЧрднрдЧ 18% рдХी рдЧिрд░ाрд╡рдЯ рджрд░्рдЬ рдХी рдЧрдИ рд╣ै, рдЬो рдЕрдм рдЕрдиुрдоाрдиिрдд 22,446 рд╣ै. рдпрд╣ рдбेрдЯा рдирдИ рд╡ैрдЬ्рдЮाрдиिрдХ рдЧрдгрдиा рдкрдж्рдзрддि рдкрд░ рдЖрдзाрд░िрдд рд╣ै, рдЬिрд╕े рдПрдХ рдирдИ рдЖрдзाрд░-рд░ेрдЦा рдоाрдиा рдЬाрдиा рдЪाрд╣िрдП.


рдоुрдЦ्рдп рдиिрд╖्рдХрд░्рд╖

  • рдХрд░्рдиाрдЯрдХ: 6,013 рд╣ाрдеी
  • рдЕрд╕рдо: 4,159 рд╣ाрдеी
  • рддрдоिрд▓рдиाрдбु: 3,136 рд╣ाрдеी
  • рдХेрд░рд▓: 2,785 рд╣ाрдеी
  • рднाрд░рдд рдХे 53% рд╣ाрдеी рдкрд╢्рдЪिрдоी рдШाрдЯ рдоें рдкाрдП рдЬाрддे рд╣ैं.


рдирдИ рдЧрдгрдиा рдкрдж्рдзрддि

рдЗрд╕ рдмाрд░ рдХी рдЬрдирдЧрдгрдиा рдоें ‘Genetic Mark-Recapture’ рддрдХрдиीрдХ рдХा рдЗрд╕्рддेрдоाрд▓ рд╣ुрдЖ рд╣ै, рдЬिрд╕рдоें рдбीрдПрдирдП рд╕ैंрдкрд▓िंрдЧ рдж्рд╡ाрд░ा рд╡्рдпрдХ्рддिрдЧрдд рд╣ाрдеिрдпों рдХी рдкрд╣рдЪाрди рдФрд░ рдкुрдиः рдЧрдгрдиा рдХी рдЬाрддी рд╣ै. рдпрд╣ рддрд░ीрдХा рдкुрд░ाрдиे рдк्рд░рдд्рдпрдХ्рд╖ рдЕрд╡рд▓ोрдХрди рдоॉрдбрд▓ рдХी рддुрд▓рдиा рдоें рдХрд╣ीं рдЕрдзिрдХ рд╕рдЯीрдХ рдФрд░ рд╡िрд╢्рд╡рд╕рдиीрдп рд╣ै.

Genetic Mark-Recapture рдЖрдзाрд░: рд╣ाрдеिрдпों рдХे рдорд▓ рдЖрджि рд╕े рдбीрдПрдирдП рд▓िрдпा рдЬाрддा рд╣ै, рдЙрд╕े рд▓ैрдм рдоें рдПрдиाрд▓ाрдЗрдЬ рдХिрдпा рдЬाрддा рд╣ै, рдФрд░ рдорд╢ीрди рд▓рд░्рдиिंрдЧ рдк्рд░ोрд╕ेрд╕ рдХे рдЬрд░िрдП рдЕрдиोрдЦे рд╣ाрдеिрдпों рдХी рдкрд╣рдЪाрди рдХी рдЬाрддी рд╣ै.

- рдЗрд╕ рддрд░рд╣ рдХा рдЖрдХрд▓рди рдЖрдмाрджी рдХा рдЬ़्рдпाрджा рд╡рд╕्рддुрдиिрд╖्рда (objective) рдФрд░ рди्рдпूрдирддрдо рдЕрдиुрдоाрди рджेрддा рд╣ै.


рд╕ंрд░рдХ्рд╖рдг рдХी рдЪुрдиौрддी

рд░िрдкोрд░्рдЯ рдХे рдЕрдиुрд╕ाрд░, рдЖंрдХрдб़ों рдХी рдЧिрд░ाрд╡рдЯ рдХो рдоौрдЬूрджा рдШрдЯрдиाрдУं рдХे рд╕ाрде рдЬोрдб़рдиा рд╕рд╣ी рдирд╣ीं рд╣ोрдЧा, рдХ्рдпोंрдХि рдпрд╣ рдирдИ рддрдХрдиीрдХ рдХे рдЖрдзाрд░ рдкрд░ рд╣ै. рд▓ेрдХिрди рд╕ंрд░рдХ्рд╖рдг рдХे рд▓िрдП рдк्рд░рдоुрдЦ рдЪुрдиौрддिрдпाँ рдмрдиी рд╣ुрдИ рд╣ैं:

- рдЖрд╡ाрд╕ рд╡िрдЦंрдбрди: рд╕рдб़рдХ, рд░ेрд▓, рдирд╣рд░ рдкрд░िрдпोрдЬрдиाрдПं рд╣ाрдеी рдЧрд▓िрдпाрд░ों рдФрд░ рдЙрдирдХे рдЖрд╡ाрд╕ рдХो рдХाрдЯрддी рд╣ैं, рдЬिрд╕рд╕े рдЙрдирдХी рдЖрдмाрджी рдмंрдЯ рдЬाрддी рд╣ै.

- рдоाрдирд╡-рд╣ाрдеी рд╕ंрдШрд░्рд╖: рдХृрд╖ि рднूрдоि рдоें рдШुрд╕рдкैрда, рдЗंрд╕ाрдиों рдХे рд╕ाрде рдЯрдХрд░ाрд╡, рдФрд░ рдлрд╕рд▓ рдХो рдиुрдХрд╕ाрди рдЬैрд╕े рдоाрдорд▓ों рдоें рд╡ृрдж्рдзि рджेрдЦрдиे рдХो рдоिрд▓ी рд╣ै.

- рдЕрд╡ैрдз рдЦрдирди рдФрд░ рдЕрддिрдХ्рд░рдордг: рдЬंрдЧрд▓ рдоें рд╕ंрд╕ाрдзрдиों рдХा рдЕрд╡ैрдз рджोрд╣рди рдФрд░ рдмрд╕ाрд╡рдЯ рд╣ाрдеी рдЖрд╡ाрд╕ рдХो рд▓рдЧाрддाрд░ рдЫोрдЯा рдХрд░ рд░рд╣ा рд╣ै.

рдирдИ рдЧрдгрдиा рдкрдж्рдзрддि рджीрд░्рдШрдХाрд▓िрдХ рд╕ंрд░рдХ्рд╖рдг рдпोрдЬрдиाрдУं рдФрд░ рдиीрддिрдпों рдХे рд▓िрдП рдордЬрдмूрдд рд╡ैрдЬ्рдЮाрдиिрдХ рдЖрдзाрд░ рддैрдпाрд░ рдХрд░рддी рд╣ै, рдЬिрд╕рд╕े рд╕ंрд░рдХ्рд╖рдг рдк्рд░рдпाрд╕ों рдоें рдФрд░ рдЕрдзिрдХ рдкाрд░рджрд░्рд╢िрддा, рд▓рдХ्рд╖्рдп рдиिрд░्рдзाрд░рдг рдФрд░ рдиिрдЧрд░ाрдиी рд╕ंрднрд╡ рд╣ोрдЧी.


Thursday, October 16, 2025

рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рд╡िрдХाрд░ों рдХे рдХाрд░рдг рд╣рд░ рд╕ाрд▓ 1.1 рдХрд░ोрдб़ рд▓ोрдЧों рдХी рдЬाрди рдЬाрддी рд╣ै

 

рд╡िрд╢्рд╡ рд╕्рд╡ाрд╕्рде्рдп рд╕ंрдЧрдарди (WHO) рдиे 14 рдЕрдХ्рдЯूрдмрд░ рдХो 'рди्рдпूрд░ोрд▓ॉрдЬी рдкрд░ рд╡ैрд╢्рд╡िрдХ рд╕्рдеिрддि рд░िрдкोрд░्рдЯ' рд╢ीрд░्рд╖рдХ рд╕े рдПрдХ рд░िрдкोрд░्рдЯ рдЬाрд░ी рдХी।

рдЗрд╕рдоें рдЪेрддाрд╡рдиी рджी рдЧрдИ рд╣ै рдХि рджुрдиिрдпा рднрд░ рдоें рддीрди рдоें рд╕े рдПрдХ рд╕े рднी рдХрдо рджेрд╢ों рдХे рдкाрд╕ рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рд╡िрдХाрд░ों рдХे рдмрдв़рддे рдмोрдЭ рд╕े рдиिрдкрдЯрдиे рдХे рд▓िрдП рдХोрдИ рд░ाрд╖्рдЯ्рд░ीрдп рдиीрддि рд╣ै, рдЬो рд╣рд░ рд╕ाрд▓ рджुрдиिрдпा рднрд░ рдоें 1.1 рдХрд░ोрдб़ рд╕े рдЬ़्рдпाрджा рдоौрддों рдХे рд▓िрдП рдЬ़िрдо्рдоेрджाрд░ рд╣ैं।

рдЗрд╕рдоें рдмрддाрдпा рдЧрдпा рд╣ै рдХि рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рдмीрдоाрд░िрдпाँ рдЕрдм рд╡ैрд╢्рд╡िрдХ рдЖрдмाрджी рдХे 40 рдк्рд░рддिрд╢рдд рд╕े рдЬ़्рдпाрджा рдпाрдиी 3 рдЕрд░рдм рд╕े рдЬ़्рдпाрджा рд▓ोрдЧों рдХो рдк्рд░рднाрд╡िрдд рдХрд░ рд░рд╣ी рд╣ैं।

WHO рдорд╕्рддिрд╖्рдХ рд╕्рд╡ाрд╕्рде्рдп рдХो рдк्рд░ाрдердоिрдХрддा рджेрдиे рдФрд░ рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рджेрдЦрднाрд▓ рдХा рд╡िрд╕्рддाрд░ рдХрд░рдиे рдХे рд▓िрдП рддрдд्рдХाрд▓, рд╕ाрдХ्рд╖्рдп-рдЖрдзाрд░िрдд рдФрд░ рд╕рдорди्рд╡िрдд рд╡ैрд╢्рд╡िрдХ рдХाрд░्рд░рд╡ाрдИ рдХा рдЖрд╣्рд╡ाрди рдХрд░рддा рд╣ै।


рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рд╡िрдХाрд░ों рдХे рдХाрд░рдг рд╣рд░ рд╕ाрд▓ 1.1 рдХрд░ोрдб़ рд▓ोрдЧों рдХी рдЬाрди рдЬाрддी рд╣ै


рд╡िрд╢्рд╡ рд╕्рд╡ाрд╕्рде्рдп рд╕ंрдЧрдарди (WHO) рдХी рдирдИ рд░िрдкोрд░्рдЯ рдЧ्рд▓ोрдмрд▓ рд╕्рдЯेрдЯрд╕ рд░िрдкोрд░्рдЯ рдСрди рди्рдпूрд░ोрд▓ॉрдЬी рдХे рдЕрдиुрд╕ाрд░, рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рд╡िрдХाрд░ों (Neurological Disorders) рдХे рдХाрд░рдг рд╣рд░ рд╕ाрд▓ рд▓рдЧрднрдЧ 1.1 рдХрд░ोрдб़ рд▓ोрдЧों рдХी рдоृрдд्рдпु рд╣ोрддी рд╣ै, рдЬрдмрдХि рджुрдиिрдпा рдХी 40% рд╕े рдЕрдзिрдХ рдЖрдмाрджी — рдпाрдиी 3 рдЕрд░рдм рд╕े рднी рдЕрдзिрдХ рд▓ोрдЧ — рдХिрд╕ी рди рдХिрд╕ी рд░ूрдк рдоें рди्рдпूрд░ोрд▓ॉрдЬिрдХрд▓ рдмीрдоाрд░ी рд╕े рдк्рд░рднाрд╡िрдд рд╣ैं।  


рд░िрдкोрд░्рдЯ рдХे рдк्рд░рдоुрдЦ рдиिрд╖्рдХрд░्рд╖  

WHO рдХी рдпрд╣ рд░िрдкोрд░्рдЯ рдмрддाрддी рд╣ै рдХि рджुрдиिрдпा рдХे рдХेрд╡рд▓ рд▓рдЧрднрдЧ 32% рджेрд╢ों рдХे рдкाрд╕ рддंрдд्рд░िрдХा рд╡िрдХाрд░ों рд╕े рдиिрдкрдЯрдиे рдХे рд▓िрдП рд░ाрд╖्рдЯ्рд░ीрдп рдиीрддि рд╣ै, рдФрд░ рдоाрдд्рд░ 18% рджेрд╢ों рдиे рдЗрд╕рдХे рд▓िрдП рдиिрд░्рдзाрд░िрдд рдмрдЬрдЯ рдмрдиाрдпा рд╣ै। рдиिрдо्рди-рдЖрдп рд╡ाрд▓े рджेрд╢ों рдоें рди्рдпूрд░ोрд▓ॉрдЬिрд╕्рдЯ рдХी рд╕ंрдЦ्рдпा рдЕрдд्рдпंрдд рдХрдо рд╣ै — рдпрд╣ाँ рдк्рд░рддि 1 рд▓ाрдЦ рдЬрдирд╕ंрдЦ्рдпा рдкрд░, рдЙрдЪ्рдЪ-рдЖрдп рд╡ाрд▓े рджेрд╢ों рдХी рддुрд▓рдиा рдоें 82 рдЧुрдиा рдХрдо рд╡िрд╢ेрд╖рдЬ्рдЮ рдЙрдкрд▓рдм्рдз рд╣ैं।  

рд╡िрд╢्рд╡ рд╕्рддрд░ рдкрд░ рдоृрдд्рдпु рдФрд░ рд╡िрдХрд▓ांрдЧрддा рдмрдв़ाрдиे рд╡ाрд▓े 10 рдк्рд░рдоुрдЦ рддंрдд्рд░िрдХा рд╡िрдХाрд░ों рдоें рд╕्рдЯ्рд░ोрдХ, рдирд╡рдЬाрдд рдорд╕्рддिрд╖्рдХ рдЖрдШाрдд (neonatal encephalopathy), рдоाрдЗрдЧ्рд░ेрди, рдЕрд▓्рдЬ़ाрдЗрдорд░ рдФрд░ рдЕрди्рдп рдбिрдоेंрд╢िрдпा, рдбाрдпрдмिрдЯिрдХ рди्рдпूрд░ोрдкैрдеी, рдоेрдиिрди्рдЬाрдЗрдЯिрд╕, рдоिрд░्рдЧी (epilepsy), рдЕрд╕рдордп рдЬрди्рдо рд╕ंрдмंрдзी рдЬрдЯिрд▓рддाрдПं, рдСрдЯिрдЬ़्рдо рд╕्рдкेрдХ्рдЯ्рд░рдо рдбिрд╕рдСрд░्рдбрд░ рдФрд░ рддंрдд्рд░िрдХा рддंрдд्рд░ рдХे рдХैंрд╕рд░ рд╢ाрдоिрд▓ рд╣ैं।  

рд╡ैрд╢्рд╡िрдХ рдЕрд╕рдоाрдирддा рдФрд░ рд╕्рд╡ाрд╕्рде्рдп рдвांрдЪे рдХी рдХрдоी  

рд░िрдкोрд░्рдЯ рдоें рдмрддाрдпा рдЧрдпा рд╣ै рдХि рдХрдо рдФрд░ рдордз्рдпрдо рдЖрдп рд╡ाрд▓े рджेрд╢ों рдоें рд░ोрдЧिрдпों рдХो рдЗрд▓ाрдЬ рдпा рдкुрдирд░्рд╡ाрд╕ рд╕ेрд╡ाрдПँ рдоिрд▓рдиा рдХрдаिрди рд╣ै। рдХेрд╡рд▓ 25% рджेрд╢ों рдиे рди्рдпूрд░ोрд▓ॉрдЬिрдХрд▓ рд╡िрдХाрд░ों рдХो рдпूрдиिрд╡рд░्рд╕рд▓ рд╣ेрд▓्рде рдХрд╡рд░ेрдЬ (UHC) рдХे рддрд╣рдд рд╢ाрдоिрд▓ рдХिрдпा рд╣ै। рдЧ्рд░ाрдоीрдг рдХ्рд╖ेрдд्рд░ों рдоें рдЖрд╡рд╢्рдпрдХ рд╕ेрд╡ाрдПँ рдЬैрд╕े рд╕्рдЯ्рд░ोрдХ рдпूрдиिрдЯ्рд╕ рдФрд░ рдкुрдирд░्рд╡ाрд╕ рдХेंрдж्рд░ рдмрд╣ुрдд рд╕ीрдоिрдд рд╣ैं।  

рд╡िрд╢ेрд╖рдЬ्рдЮों рдХी рдЯिрдк्рдкрдгी рдФрд░ рд╕िрдлाрд░िрд╢ें  

WHO рдХे рд╕рд╣ाрдпрдХ рдорд╣ाрдиिрджेрд╢рдХ рдбॉ. рдЬेрд░ेрдоी рдлैрд░рд░ рдиे рдХрд╣ा рдХि “рджुрдиिрдпा рдоें рд╣рд░ рддीрди рдоें рд╕े рдПрдХ рд╡्рдпрдХ्рддि рдорд╕्рддिрд╖्рдХ рд╕े рд╕ंрдмंрдзिрдд рдмीрдоाрд░ी рдпा рд╕्рдеिрддि рд╕े рдЬूрдЭ рд░рд╣ा рд╣ै। рд╣рдоें рдЙрдирдХे рд▓िрдП рдмेрд╣рддрд░ рд╕्рд╡ाрд╕्рде्рдп рджेрдЦрднाрд▓ рд╕ुрдиिрд╢्рдЪिрдд рдХрд░рдиी рд╣ोрдЧी”। рд╕ंрдЧрдарди рдиे рд╕рджрд╕्рдп рджेрд╢ों рд╕े рдЕрдкीрд▓ рдХी рд╣ै рдХि рд╡े рдорд╕्рддिрд╖्рдХ рд╕्рд╡ाрд╕्рде्рдп рдХो рд░ाрд╖्рдЯ्рд░ीрдп рдк्рд░ाрдердоिрдХрддा рдмрдиाрдПं, рдЕрдиुрд╕ंрдзाрди рдоें рдиिрд╡ेрд╢ рдХрд░ें, рдФрд░ рдЬрдоीрдиी рд╕्рддрд░ рдкрд░ рдЪिрдХिрдд्рд╕ा рд╕ेрд╡ाрдПँ рд╕ुрд▓рдн рдмрдиाрдПं।  

рд╕рдоाрдзाрди рдХी рджिрд╢ा рдоें рдХрджрдо  

2022 рдоें WHO рд╕рджрд╕्рдп рджेрд╢ों рдиे рдЗंрдЯрд░рд╕ेрдХ्рдЯрд░рд▓ рдЧ्рд▓ोрдмрд▓ рдПрдХ्рд╢рди рдк्рд▓ाрди рдСрди рдПрдкिрд▓ेрдк्рд╕ी рдПंрдб рдЕрджрд░ рди्рдпूрд░ोрд▓ॉрдЬिрдХрд▓ рдбिрд╕рдСрд░्рдбрд░्рд╕ (2022–2031) рдХो рдЕрдкрдиाрдпा рдеा, рдЬिрд╕рдХा рдЙрдж्рджेрд╢्рдп рд░ोрдХрдеाрдо, рд╢ीрдШ्рд░ рдкрд╣рдЪाрди, рдЙрдкрдЪाрд░ рдФрд░ рдкुрдирд░्рд╡ाрд╕ рд╕ेрд╡ाрдУं рдоें рд╕ुрдзाрд░ рд▓ाрдиा рд╣ै। WHO рдиे рдЪेрддाрд╡рдиी рджी рд╣ै рдХि рдпрджि рддрдд्рдХाрд▓ рдХрджрдо рдирд╣ीं рдЙрдаाрдП рдЧрдП, рддो рдЗрди рд╡िрдХाрд░ों рдХा рдмोрдЭ рдФрд░ рдЕрд╕рдоाрдирддाрдПँ рдЖрдиे рд╡ाрд▓े рд╡рд░्рд╖ों рдоें рдФрд░ рдЕрдзिрдХ рдмрдв़ेंрдЧी ।

рдХाрд░्рд░рд╡ाрдИ рдХा рд░ोрдбрдоैрдк


рдХाрд░्рд░рд╡ाрдИ рдХे рдмिрдиा, рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рд╡िрдХाрд░ों рдХा рдмोрдЭ рдмрдв़рддा рд░рд╣ेрдЧा, рдЬिрд╕рд╕े рд╡ैрд╢्рд╡िрдХ рд╕्рд╡ाрд╕्рде्рдп рдЕрд╕рдоाрдирддाрдПँ рдФрд░ рдЧрд╣рд░ी рд╣ोंрдЧी।

рд╡िрд╢्рд╡ рд╕्рд╡ाрд╕्рде्рдп рд╕ंрдЧрдарди рд╕рд░рдХाрд░ों рд╕े рдЖрдЧ्рд░рд╣ рдХрд░рддा рд╣ै рдХि:

i) рд╕ाрд╣рд╕िрдХ рдиेрддृрдд्рд╡ рдФрд░ рдиिрд░ंрддрд░ рдиिрд╡ेрд╢ рдХे рдоाрдз्рдпрдо рд╕े рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рд╡िрдХाрд░ों рдХो рдиीрддिрдЧрдд рдк्рд░ाрдердоिрдХрддा рдмрдиाрдПँ।

ii) рд╕ाрд░्рд╡рднौрдоिрдХ рд╕्рд╡ाрд╕्рде्рдп рдХрд╡рд░ेрдЬ рдФрд░ рд╕्рд╡ाрд╕्рде्рдп рдк्рд░рдгाрд▓ी рдХो рд╕ुрджृрдв़ рдмрдиाрдХрд░ рддंрдд्рд░िрдХा рд╕ंрдмंрдзी рджेрдЦрднाрд▓ рддрдХ рдкрд╣ुँрдЪ рдХा рд╡िрд╕्рддाрд░ рдХрд░ें।

iii) рдк्рд░рдоुрдЦ рдЬोрдЦिрдо рдФрд░ рд╕ुрд░рдХ्рд╖ाрдд्рдордХ рдХाрд░рдХों рдХो рд▓рдХ्рд╖िрдд рдХрд░рддे рд╣ुрдП рд╕рдорди्рд╡िрдд рдЕंрддрд░-рдХ्рд╖ेрдд्рд░ीрдп рдХाрд░्рд░рд╡ाрдИ рдХे рд╕ाрде рдЬीрд╡рди рднрд░ рдорд╕्рддिрд╖्рдХ рд╕्рд╡ाрд╕्рде्рдп рдХो рдмрдв़ाрд╡ा рджें।

iv) рд╕ाрдХ्рд╖्рдп-рдЖрдзाрд░िрдд рдиिрд░्рдгрдп рд▓ेрдиे рдФрд░ рдЬрд╡ाрдмрджेрд╣ी рдХे рд▓िрдП рдбेрдЯा рдк्рд░рдгाрд▓िрдпों рдФрд░ рдиिрдЧрд░ाрдиी рдХो рдордЬ़рдмूрдд рдХрд░ें।


Chess Related Tactics with Explanation

 

Chess tactics are short-term, concrete moves or sequences that create immediate advantages — such as winning material, delivering checkmate, or forcing positional improvements. Below are key chess tactics with clear explanations and examples based on expert guides and masters' analyses.


Fork

A fork happens when one piece attacks two or more enemy pieces simultaneously. Knights are especially effective at this because of their unique movement.  

Example: A knight on e5 can attack both the king on g6 and the queen on f7, forcing one to move.


Pin

A pin prevents a piece from moving because a more valuable piece behind it would be exposed. There are two types:

Absolute pin: moving the pinned piece would expose the king, making it illegal.  

Relative pin: moving the pinned piece would expose a more valuable piece but is still legal.  

Example: A bishop on b5 pins a knight on c6 to the black king on e8.


Skewer

A skewer is the reverse of a pin — a high-value piece is attacked first, and when it moves, a lower-value piece behind it becomes exposed.  

Example: A rook on e1 attacks the black queen on e7; when the queen moves, the rook captures a bishop behind it.


Decoy

A decoy draws an opponent’s piece onto a vulnerable or strategically inconvenient square.  

Example: Sacrificing a rook on e8 to lure the enemy king into a checkmating net.


Deflection

A deflection moves a defender away from guarding a key square or piece.  

Example: White plays Rxe8+, forcing the black knight to recapture and thus stop defending f6 — opening a path to attack.


Discovered Attack

A discovered attack occurs when a piece moves, uncovering an attack from another piece behind it.  

Example: Moving a knight away reveals a bishop’s attack along a diagonal.


Double Attack

A double attack occurs when one move creates two direct threats, such as check and an attack on a valuable piece. It’s one of the most decisive tactical patterns.  

Example: Queen check on e5 that also threatens the rook on h8.


Desperado

A desperado is when a threatened piece captures something before being taken, ensuring the player gains compensation.  

Example: A threatened rook captures another piece before it’s lost anyway.


Zwischenzug

A zwischenzug or “in-between move” interrupts a routine exchange with an unexpected threat or check, gaining tempo or positional advantage.  

Example: In the middle of a series of trades, inserting a check that forces a better outcome.


Windmill

The windmill is a special combination of discovered attacks and repeated checks. It can cause devastating material loss.  

Example: A bishop repeatedly checks the king, while another piece (often a rook) captures unprotected pieces after each forced king move.


Zugzwang

Zugzwang means "compulsion to move" in German. It occurs when any legal move a player makes worsens their position. This is common in endgames.  

Example: Forcing the opponent’s king into a position where it must abandon a pawn or key square.


Trapping a Piece

When a piece has no safe squares and is about to be captured, it’s called a trap.  

Example: Pushing pawns to restrict an opponent’s bishop, leaving it without escape [2].


X-Ray Attack

An X-ray occurs when a piece “sees through” another, attacking or defending a distant piece along the same line.  

Example: A rook behind another rook defends a piece on the same file indirectly.


Practical Advice

To master tactics:

- Practice puzzles daily.

- Analyze your games for missed tactical chances.

- Learn pattern recognition — repeated exposure builds intuition.


These tactical tools form the foundation of short-term calculation in chess and often decide games at all levels of play.


Tuesday, October 14, 2025

Eight Worldly Dharmas

 

The eight worldly dharmas, also called the eight worldly concerns, are pairs of hopes and fears that commonly drive people’s actions and mental states in daily life according to Buddhist teachings. These concerns are considered to be obstacles to genuine spiritual practice, as they keep one preoccupied with transient, external conditions rather than cultivating inner equanimity and wisdom.


List of Eight Worldly Dharmas

- Gain and loss: Attachment to acquiring possessions or achievements, and aversion to losing them.

- Pleasure and pain: Craving sensory or emotional pleasure, and aversion to discomfort or suffering.

- Praise and blame: Desire for approval and recognition, and fear of criticism or censure.

- Fame and disgrace: Preoccupation with reputation, recognition, and status, as opposed to fear of obscurity or dishonor.

Each pair is a duality linked by attachment and aversion—wanting one side, dreading the other. The more one is driven by these hopes and fears, the more one’s mind is distracted from the path of Dharma, which emphasizes equanimity and letting go of egoic desires.


Role in Buddhist Practice

In traditional Buddhist advice, genuine spiritual growth involves recognizing these eight influences and gradually releasing attachment to them, thereby developing greater inner peace regardless of changing circumstances. Letting go of these preoccupations is seen as essential for progress on the path to enlightenment.


Summary Table

Recognizing and working with these eight worldly dharmas is a key step in Buddhist practice for cultivating a mind that is stable, calm, and free from emotional turbulence driven by external conditions.


How do the eight worldly dharmas affect meditation practice


The eight worldly dharmas can seriously distract and hinder progress in meditation practice by pulling the mind toward attachment and aversion regarding pleasure and pain, gain and loss, praise and blame, fame and disgrace.


How They Affect Meditation

- Mental Distraction  

  These concerns fuel thoughts of acquiring pleasant experiences and avoiding unpleasant ones, causing mental agitation that prevents concentration during meditation. The mind becomes preoccupied with desires and fears, making it harder to cultivate calm and stability.

- Obstacle to Inner Peace  

  Attachment to these dharmas produces cycles of craving, anxiety, and judgment, which block the development of equanimity—a key goal of Buddhist meditation. As long as one is attached to these outcomes, moments of inner quiet are fragile and easily disturbed.

- Cultivation of Wrong Views  

  When meditation is motivated by hopes for gain or praise or avoidance of discomfort, it becomes a service to ego-driven thinking rather than genuine spiritual development. This encourages “wrong view,” undermining true realization and deeper wisdom.


Practical Meditation Advice

- Regular reflection and meditation on the eight worldly concerns help practitioners recognize the subtle ways these arise in the mind and weaken their hold.

- Techniques such as mindfulness and analytic meditation on impermanence and selflessness specifically target the root of these distractions.

By working to recognize and let go of these eight concerns, meditation deepens, and practitioners move closer to authentic inner peace and spiritual insight.


Key Buddhist texts that discuss the eight worldly dharmas


Key Buddhist texts that discuss the eight worldly dharmas include several canonical and traditional sources:

1. Anguttara Nikaya (Aс╣Еguttara Nik─Бya) 

   Particularly in the "Book of Eights," suttas AN 8.5 (Paс╣нhama Lokadhamma Sutta) and AN 8.6 (Dutiyalokadhamma Sutta), the Buddha explicitly teaches about the eight worldly conditions: gain and loss, fame and disgrace, praise and blame, pleasure and pain. These sutras describe how these conditions revolve the world and are the basis of worldly attachment and suffering. They also emphasize mindfulness and equanimity in relation to these conditions.

2. Lokavipatti Sutta

   This sutta similarly outlines the "failings of the world" revolving around the eight worldly conditions. It teaches the impermanence and unsatisfactory nature of these worldly preoccupations.

3. Nagarjuna’s Letter to a Friend 

   Nagarjuna, an important Buddhist philosopher, mentions the eight worldly dharmas (gain, loss, praise, blame, pleasure, pain, fame, disgraced) urging practitioners not to allow these concerns to occupy the mind but to regard them with equanimity.

4. Tibetan Buddhist Canon

   The Eight Worldly Dharmas are widely discussed in Tibetan Buddhist teachings and texts such as the Kangyur and Tengyur collections, with emphasis on how these concerns bind beings to samsara and differentiate them from bodhisattva ideals.

These texts collectively form the main sources for the Buddhist teaching on the eight worldly dharmas, each emphasizing the need to overcome attachment to these pairs of worldly hopes and fears to progress spiritually.

If more details on any of these texts or excerpts are needed, they can be provided.


рдЕрдорд░рдХंрдЯрдХ рдПрдХ рдкрд░िрдЪрдп

рдЕрдорд░рдХंрдЯрдХ рднाрд░рдд рдХे рдордз्рдп рдк्рд░рджेрд╢ рд░ाрдЬ्рдп рдХे рдЕрдиूрдкрдкुрд░ рдЬिрд▓े рдоें рд╕्рдеिрдд рдПрдХ рдк्рд░рд╕िрдж्рдз рддीрд░्рде рд╕्рдерд▓ рдФрд░ рдк्рд░ाрдХृрддिрдХ рдХ्рд╖ेрдд्рд░ рд╣ै। рдпрд╣ рд╕्рдерд▓ рд╡िंрдз्рдп рдФрд░ рд╕рддрдкुрдб़ा рдкрд░्рд╡рддрдоाрд▓ाрдУं рдХे рдоिрд▓рди рд╕्рдерд▓ рдкрд░ рд╕्рдеिрдд рд╣ै, рдЬрд╣ाँ рд╕े рдирд░्рдорджा рдирджी, рд╕ोрди рдирджी рдФрд░ рдЬोрд╣िрд▓ा рдирджी рдХा рдЙрдж्рдЧрдо рд╣ोрддा рд╣ै। рдЕрдорд░рдХंрдЯрдХ рдХो рд╣िंрджू рдзрд░्рдо рдоें рдЕрдд्рдпंрдд рдкрд╡िрдд्рд░ рдоाрдиा рдЬाрддा рд╣ै рдФрд░ рдпрд╣ рдзाрд░्рдоिрдХ, рдкौрд░ाрдгिрдХ рдФрд░ рдк्рд░ाрдХृрддिрдХ рджोрдиों рд╣ी рджृрд╖्рдЯिрдХोрдг рд╕े рдорд╣рдд्рд╡рдкूрд░्рдг рд╣ै।  

рдзाрд░्рдоिрдХ рдПрд╡ं рдкौрд░ाрдгिрдХ рдорд╣рдд्рд╡

рдкौрд░ाрдгिрдХ рдоाрди्рдпрддाрдУं рдХे рдЕрдиुрд╕ाрд░, рдпрд╣ाँ рдоाрддा рд╕рддी рдХे рджो рдЕंрдЧ рдЧिрд░े рдеे, рдЗрд╕рд▓िрдП рдпрд╣ рдХ्рд╖ेрдд्рд░ рджो рд╢рдХ्рддिрдкीрдаों рдХा рдХेंрдж्рд░ рд╣ै। рдирд░्рдорджा рдирджी рдХा рдЙрдж्рдЧрдо рд╕्рдерд▓ рдпрд╣ाँ рд╣ोрдиे рдХे рдХाрд░рдг рдЗрд╕े рдирд░्рдорджा рд╢рдХ्рддि рдкीрда рднी рдХрд╣ा рдЬाрддा рд╣ै। рд╕्рдеाрди рдХा рд╕ंрдмंрдз рднрдЧрд╡ाрди рд╢िрд╡ рдХी рдкुрдд्рд░ी рдирд░्рдорджा рд╕े рднी рд╣ै, рдЬिрдирдХी рдирджी рдпрд╣ाँ рд╕े рдмрд╣рддी рд╣ै। рдЕрдорд░рдХंрдЯрдХ рдоें рдЕрдиेрдХ рдоंрджिрд░ рдФрд░ рдкुрд░ाрддाрдд्рдд्рд╡िрдХ рд╕्рдерд▓ рд╣ैं, рдЬिрдирдоें рдирд░्рдорджा рдоंрджिрд░ рдк्рд░рдоुрдЦ рд╣ै, рдЬो рдирджी рдХे рд╕्рд░ोрдд рдХे рдкाрд╕ рд╕्рдеिрдд рд╣ै। рдЗрд╕рдХे рд╕ाрде рд╣ी, рдпрд╣ाँ рднрдЧрд╡ाрди рд╢िрд╡ рдФрд░ рдкाрд░्рд╡рддी рд╕े рд╕ंрдмंрдзिрдд рдХрдИ рд╕्рдерд▓ рднी рдкрд░्рдпрдЯрдХों рдФрд░ рд╢्рд░рдж्рдзाрд▓ुрдУं рдХो рдЖрдХрд░्рд╖िрдд рдХрд░рддे рд╣ैं।  

рдк्рд░ाрдХृрддिрдХ рд╡िрд╢ेрд╖рддाрдПँ

рдЕрдорд░рдХंрдЯрдХ рд╕рдоुрдж्рд░ рддрд▓ рд╕े рд▓рдЧрднрдЧ 1065 рдоीрдЯрд░ рдХी рдКंрдЪाрдИ рдкрд░ рд╣ै рдФрд░ рдпрд╣ाँ рдХा рд╡ाрддाрд╡рд░рдг рд╢ांрдд, рдк्рд░рджूрд╖рдг рдоुрдХ्рдд рдФрд░ рдк्рд░ाрдХृрддिрдХ рд╕ौंрджрд░्рдп рд╕े рднрд░рдкूрд░ рд╣ै। рдпрд╣ाँ рдХे рдЭрд░рдиे, рддाрд▓ाрдм, рдКँрдЪी рдкрд╣ाрдб़िрдпाँ рдФрд░ рдЖрдпुрд░्рд╡ेрджिрдХ рдкौрдзें рдЦाрд╕ рд░ूрдк рд╕े рдк्рд░рд╕िрдж्рдз рд╣ैं। рдпрд╣ рдХ्рд╖ेрдд्рд░ рдПрдХ рд╡िрд╢्рд╡ рдзрд░ोрд╣рд░ рдХ्рд╖ेрдд्рд░ рднी рдоाрдиा рдЬाрддा рд╣ै। рдпрд╣ाँ рдирд░्рдорджा рдФрд░ рд╕ोрди рдирджी рдХी рдЙрдд्рдкрдд्рддि рд╣ोрдиे рдХे рдХाрд░рдг, рдЗрд╕ рд╕्рдеाрди рдХो рдирджी рдкूрдЬा рдФрд░ рдзाрд░्рдоिрдХ рдЧрддिрд╡िрдзिрдпों рдХे рд▓िрдП рднी рдЬाрдиा рдЬाрддा рд╣ै।  

рдкрд░्рдпрдЯрдХ рд╕्рдерд▓

рдЕрдорд░рдХंрдЯрдХ рдоें рдЕрдиेрдХ рджрд░्рд╢рдиीрдп рд╕्рдерд▓ рд╣ैं, рдЬिрдирдоें рдк्рд░рдоुрдЦ рд╣ैं:

- рдирд░्рдорджा рдоंрджिрд░ рдФрд░ рдирд░्рдорджा рдХुंрдб

- рдоाрдИ рдХा рдмाрдЧिрдпा

- рдХрдкिрд▓рдзाрд░ा рд╡ рджुрдзрдзाрд░ा рдЭрд░рдиे

- рднृрдЧрдоंрдбрд▓, рдХрдмीрд░ рдЪрдмुрддрд░ा рдФрд░ рдЬ्рд╡ेрд▓ेрд╢्рд╡рд░ рдорд╣ाрджेрд╡ рдоंрджिрд░

- рд╕рдлाрд░ी рдФрд░ рдк्рд░рдХृрддि рджेрдЦрдиे рдХे рдЯ्рд░ेрдХिंрдЧ рдоाрд░्рдЧ


рдпрд╣ рд╕्рдеाрди рдкрд░्рдпрдЯрдХों рдФрд░ рд╢्рд░рдж्рдзाрд▓ुрдУं рджोрдиों рдХे рд▓िрдП рдЖрдХрд░्рд╖рдг рдХा рдХेंрдж्рд░ рд╣ै, рдЬो рдзाрд░्рдоिрдХ рдЖрд╕्рдеा рдХे рд╕ाрде-рд╕ाрде рдк्рд░ाрдХृрддिрдХ рд╕ौंрджрд░्рдп рдХा рдЕрдиुрднрд╡ рднी рдк्рд░рджाрди рдХрд░рддा рд╣ै।


рдЕрдорд░рдХंрдЯрдХ рдХे рдк्рд░рдоुрдЦ рдзाрд░्рдоिрдХ рд╕्рдерд▓ рдХौрди-рдХौрди рд╕े рд╣ैं


рдЕрдорд░рдХंрдЯрдХ рдХे рдк्рд░рдоुрдЦ рдзाрд░्рдоिрдХ рд╕्рдерд▓ рдиिрдо्рдирд▓िрдЦिрдд рд╣ैं:

рдирд░्рдорджा рдХुंрдб рдФрд░ рдирд░्рдорджा рдоंрджिрд░: рдирд░्рдорджा рдирджी рдХे рд╕्рд░ोрдд рдкрд░ рд╕्рдеिрдд рдк्рд░рдоुрдЦ рдоंрджिрд░, рдЬрд╣ां рдирджी рдХा рдЙрдж्рдЧрдо рд╣ोрддा рд╣ै। рдпрд╣ां рд▓рдЧрднрдЧ 20 рдЫोрдЯे рдоंрджिрд░ рднी рд╣ैं, рдЬिрдирдоें рд╕рддी рдоंрджिрд░ рдФрд░ рдкाрд░्рд╡рддी рдХो рд╕рдорд░्рдкिрдд рдоंрджिрд░ рд╢ाрдоिрд▓ рд╣ैं। рдпрд╣ рдЕрдорд░рдХंрдЯрдХ рдХा рд╕рдмрд╕े рдорд╣рдд्рд╡рдкूрд░्рдг рдзाрд░्рдоिрдХ рд╕्рдеाрди рд╣ै।

рдХрд▓рдЪुрд░ी рдХाрд▓ рдХे рдк्рд░ाрдЪीрди рдоंрджिрд░: 11рд╡ीं рд╢рддाрдм्рджी рдХे рдоंрджिрд░, рдЬो рдирд░्рдорджा рдоंрджिрд░ рдХे рдХрд░ीрдм рд╕्рдеिрдд рд╣ैं рдФрд░ рдРрддिрд╣ाрд╕िрдХ рдорд╣рдд्рд╡ рд░рдЦрддे рд╣ैं।

рдЬ्рд╡ाрд▓ेрд╢्рд╡рд░(рдЬाрд▓ेрд╢्рд╡рд░) рдорд╣ाрджेрд╡ рдоंрджिрд░: рдЬोрд╣िрд▓ा рдирджी рдХे рдЙрдж्рдЧрдо рдХे рдкाрд╕ рдЧрд╣рд░ा рдЬंрдЧрд▓ рдоें рд╕्рдеिрдд рд╢िрд╡ рдХा рдоंрджिрд░।

рдХрдмीрд░ рдЪрдмूрддрд░ा: рд╕ंрдд рдХрдмीрд░ рдиे рдз्рдпाрди рдХिрдпा рдеा, рдпрд╣ рдПрдХ рдРрддिрд╣ाрд╕िрдХ рдФрд░ рдзाрд░्рдоिрдХ рд╕्рдерд▓ рд╣ै।

рднृрдЧрдоंрдбрд▓: рдЛрд╖ि рднृрдЧु рдХा рдз्рдпाрди рд╕्рдерд▓, рдЬो рдЬंрдЧрд▓ рдХे рдмीрдЪ рд╕्рдеिрдд рд╣ै।

рдоाрдИ рдХा рдмाрдЧिрдпा: рдРрд╕ा рд╕्рдеाрди рдЬрд╣ां рдоाрдиा рдЬाрддा рд╣ै рдХि рдирд░्рдорджा рджेрд╡ी рдиे рдмрдЪрдкрди рдмिрддाрдпा рдеा, рдЬो рдПрдХ рдзाрд░्рдоिрдХ рдФрд░ рдк्рд░ाрдХृрддिрдХ рд╕्рдерд▓ рджोрдиों рд╣ै।

рд╕рд░्рд╡ोрджрдпी рдЬैрди рдоंрджिрд░: рдиिрд░्рдоाрдгाрдзीрди рд╡िрд╢ाрд▓ рдЬैрди рдоंрджिрд░, рдЬो рд╕ीрдоेंрдЯ рдФрд░ рд▓ोрд╣े рдХा рдк्рд░рдпोрдЧ рди рдХрд░рдХे рдмрдиाрдпा рдЬा рд░рд╣ा рд╣ै।

рдХрдкिрд▓рдзाрд░ा рдФрд░ рджूрдзрдзाрд░ा рдЭрд░рдиे: рдзाрд░्рдоिрдХ рдПрд╡ं рдк्рд░ाрдХृрддिрдХ рд╕्рдерд▓, рдЬрд╣ां рдЛрд╖ि рдХрдкिрд▓ рдиे рддрдкрд╕्рдпा рдХी рдеी рдФрд░ рдирд░्рдорджा рдирджी рдХे рд╕ुंрджрд░ рдЭрд░рдиे рд╕्рдеिрдд рд╣ैं।

рд╢ंрднुрдзाрд░ा рдФрд░ рджुрд░्рдЧрдзाрд░ा рдЭрд░рдиे: рдЧрд╣рд░े рдЬंрдЧрд▓ों рдоें рд╕्рдеिрдд рд╕ुंрджрд░ рдЭрд░рдиे।


рдпे рд╕्рдерд▓ рдЕрдорд░рдХंрдЯрдХ рдХे рдзाрд░्рдоिрдХ рдФрд░ рдк्рд░ाрдХृрддिрдХ рдорд╣рдд्рд╡ рдХो рджрд░्рд╢ाрддे рд╣ैं рдФрд░ рдпрд╣ां рд╢्рд░рдж्рдзाрд▓ु рдПрд╡ं рдкрд░्рдпрдЯрдХ рджोрдиों рдмрдб़ी рд╕ंрдЦ्рдпा рдоें рдЖрддे рд╣ैं। рдпे рдоंрджिрд░ рдФрд░ рд╕्рдерд▓ рдЕрдорд░рдХंрдЯрдХ рдХो рдПрдХ рдорд╣рдд्рд╡рдкूрд░्рдг рддीрд░्рде рд╕्рдерд▓ рдПрд╡ं рдкрд░्рдпрдЯрди рд╕्рдерд▓ рдмрдиाрддे рд╣ैं।


рдЕрдорд░рдХंрдЯрдХ рдЬाрдиे рдХा рд╕рдмрд╕े рдЕрдЪ्рдЫा рдоौрд╕рдо рдФрд░ рдпाрдд्рд░ा рдЯिрдк्рд╕

рдЕрдорд░рдХंрдЯрдХ рдЬाрдиे рдХा рд╕рдмрд╕े рдЕрдЪ्рдЫा рдоौрд╕рдо рд╢рд░рдж рдЛрддु рдФрд░ рд╕рд░्рджिрдпों рдХा рд╣ोрддा рд╣ै, рдЬो рдЕрдХ्рдЯूрдмрд░ рд╕े рдлрд░рд╡рд░ी рддрдХ рд░рд╣рддा рд╣ै। рдЗрд╕ рджौрд░ाрди рдоौрд╕рдо рд╕ुрд╣ाрдиा, рдаंрдбा рд▓ेрдХिрди рдмрд╣ुрдд рдЬ्рдпाрджा рдаंрдбा рдирд╣ीं рд╣ोрддा, рдЬिрд╕рд╕े рддीрд░्рдердпाрдд्рд░ा рдФрд░ рдк्рд░рдХृрддि рдХी рд╕ैрд░ рдЖрд░ाрдорджाрдпрдХ рд╣ोрддी рд╣ै। рдЕрдХ्рдЯूрдмрд░ рдФрд░ рдирд╡ंрдмрд░ рдХे рдорд╣ीрдиे рдЦाрд╕рддौрд░ рдкрд░ рд╣рд░े-рднрд░े рдФрд░ рдк्рд░ाрдХृрддिрдХ рд╕ौंрджрд░्рдп рдХा рдЖрдиंрдж рд▓ेрдиे рдХे рд▓िрдП рдЙрдкрдпुрдХ्рдд рд╣ोрддे рд╣ैं, рд▓ेрдХिрди рдЗрд╕ рд╕рдордп рдеोрдб़ी рднीрдб़ рд╣ो рд╕рдХрддी рд╣ै। рдоाрдирд╕ूрди рдХे рдоौрд╕рдо (рдЬूрди рд╕े рд╕िрддंрдмрд░) рдоें рдпрд╣ाँ рдЕрдзिрдХ рд╡рд░्рд╖ा рд╣ोрддी рд╣ै рдФрд░ рд░ाрд╕्рддे рдлिрд╕рд▓рди рднрд░े рд╣ो рд╕рдХрддे рд╣ैं, рдЗрд╕рд▓िрдП рдмाрд░िрд╢ рдХे рдоौрд╕рдо рдоें рдЬाрдиा рдХрдо рдЙрдкрдпुрдХ्рдд рд╣ोрддा рд╣ै।


рдпाрдд्рд░ा рдЯिрдк्рд╕:

- рдЖрд░ाрдорджाрдпрдХ рдФрд░ рд╣рд▓्рдХे рдЧрд░्рдо рдХрдкрдб़े рдкрд╣рдиें, рд╕ाрде рдоें рд╣рд▓्рдХी рдЬैрдХेрдЯ рдпा рд╕्рд╡ेрдЯрд░ рднी рд░рдЦें рдХ्рдпोंрдХि рд░ाрдд рдХो рдаंрдб рдмрдв़ рд╕рдХрддी рд╣ै।

- рдкैрджрд▓ рдпा рд▓ंрдмी рдпाрдд्рд░ाрдУं рдХे рд▓िрдП рдЖрд░ाрдорджाрдпрдХ рдЬूрддे рдкрд╣рдиें।

- рд╕्рдеाрдиीрдп рд░ीрддि-рд░िрд╡ाрдЬों рдФрд░ рдкрд░ंрдкрд░ाрдУं рдХा рд╕рдо्рдоाрди рдХрд░ें।

- рдирдХрджी рдЕрдкрдиे рд╕ाрде рдкрд░्рдпाрдк्рдд рд░рдЦें рдХ्рдпोंрдХि рдПрдЯीрдПрдо рд╕ीрдоिрдд рд╣ो рд╕рдХрддे рд╣ैं।

- рдирд░्рдорджा рдХुंрдб рд╕рд╣िрдд рдк्рд░рдоुрдЦ рдоंрджिрд░ों рдФрд░ рдк्рд░ाрдХृрддिрдХ рдЭрд░рдиों рдХा рджौрд░ा рдХрд░ें।

- рдоाрдирд╕ूрди рдоें рднाрд░ी рдмाрд░िрд╢ рд╕े рдмрдЪрдиे рдХे рд▓िрдП рдмाрд░िрд╢ рдХा рдЗंрддрдЬाрдо рдХрд░ें।

- рд╕ुрдмрд╣ рдЬрд▓्рджी рдиिрдХрд▓ें рддाрдХि рджिрди рдоें рдЬ्рдпाрджा рджрд░्рд╢рдиीрдп рд╕्рдерд▓ рджेрдЦ рд╕рдХें।

- рдпाрдд्рд░ा рдХे рджौрд░ाрди рдЬрд▓рдпाрдд्рд░ा рдХे рд▓िрдП рдкाрдиी рдФрд░ рд╕рдирд╕्рдХ्рд░ीрди рдЬрд░ूрд░ рд╕ाрде рд░рдЦें।

рдЗрд╕ рдк्рд░рдХाрд░, рдЕрдХ्рдЯूрдмрд░ рд╕े рдлрд░рд╡рд░ी рдХे рдмीрдЪ рдЕрдорд░рдХंрдЯрдХ рдпाрдд्рд░ा рдХрд░рдиा рд╕рдмрд╕े рдмेрд╣рддрд░ рдФрд░ рд╕ुрд╡िрдзाрдЬрдирдХ рд░рд╣рддा рд╣ै, рд╕ाрде рд╣ी рдЙрдкрдпुрдХ्рдд рддैрдпाрд░ी рдХे рд╕ाрде рдпाрдд्рд░ा рдХा рдЖрдиंрдж рдЙрдаाрдпा рдЬा рд╕рдХрддा рд╣ै।


рдирдХाрд░ाрдд्рдордХ рдЦрдмрд░ों рдХे рдмाрд╡рдЬूрдж рд░िрд╢्рддों рдкрд░ рдиिрд╡ेрд╢

рдирдХाрд░ाрдд्рдордХ рдЦрдмрд░ों рдХे рдмाрд╡рдЬूрдж рд░िрд╢्рддों рдкрд░ рдиिрд╡ेрд╢ рдпा рдирдпा рд░िрд╢्рддा рдмрдиाрдиा рдмрдб़ी рднूрд▓ рдирд╣ीं рд╣ै। рдпे рдЦрдмрд░ें рд╕рдирд╕рдиीрдЦेрдЬ рд╣ोрддी рд╣ैं, рд▓ेрдХिрди рдЬ्рдпाрджाрддрд░ рд░िрд╢्рддे рд╕рдлрд▓ рдФрд░ рд╕्...